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50 Ways To Leave Your Lover by Paul Simon
50 Ways To Leave Your Lover
Em/G D6 CM7 B7
"The problem is all inside your head," she said to me
Em D7 B7-9 Baug
"the answer is easy if you take it logic'lly.
Em D6 CM7 B7
I'd like to help you in your struggle to be free;
Em Am7 Em
there must be - fifty ways to leave your lover."
Em/G D6 CM7 B7
She said, "It's really not my habit to intrude;
Em D7 B7-9 Baug
Furthermore I hope my meaning won't be lost or misconstrued.
Em D6 CM7 B7
But I'll repeat myself at the risk of being crude;
Em Am7 Em
there must be fifty ways to leave your lover."
Em Am7 Em
fifty ways to leave your lover."
G
Just slip out the back, Jack.
Bb
Make a new plan, Stan;
C5
You don't need to be coy, Roy,
G
Just listen to me
G
Hop on the bus, Gus;
Bb
You don't need to discuss much;
C5
Just drop off the key, Lee.
G
and get yourself free.
REPEAT CHORUS
Second verse:
She said, "It grieves me now to see you in such pain; I
wish there was somethin' I could do to make you smile again."
I said, "I appreciate that, and could you please explain about the
fifty ways?"
She said, "Why don't we both just sleep on it tonight;
I'm sure in the morning you'll begin to see the light."
And then she kissed me and I realized she probably was right; there must be
fifty ways to leave your lover,
fifty ways to leave your lover."
REPEAT CHORUS twice.
Chords: (by request)
Em/G 322000
D6 xx0432
CM7 x32000
B7 x21202
Em 022000
B7-9 xx4505
Baug x21003
Am7 x02213
G 355433
D7 xx0212
C5 x355xx
Bb x13331
------------------
version 2
Chord diagrams:
G D C7/G Ebm6/A Em Bm7 Eb/B B Am/F#
e: 3 2 0 8 0 5 3 2 5
B: 0 3 0 7 0 3 4 4 5
G: 0 2 0 8 0 4 4 4 5
D: 0 0 2 7 2 4 5 5 4
A: 2 3 2
E: 3 3 0
G D C7/G Ebm6/A
The problem is all inside your head she said to me,
Em D Bm7 Eb/B B
The answer is easy if you take it logically.
G D C7/G Ebm6/A
I'd like to help you in your struggle to be free.
G Am/F# G
There must be - fifty ways to leave your lover.
G D C7/G Ebm6/A
You know it's really not my habit to intrude,
Em D Bm7 Eb/B B
Furthermore I hope my meaning won't be lost or miss-construed,
G D C7/G Ebm6/A
But I'll repeat myself, at the risk of being crude.
G Am/F# G
There must be - fifty ways to leave your lover
G Am/F# G
Fifty ways to leave your lover
G Bb
Just slip out the back jack, make a new plan stan,
C7/G G
No need to be coy Roy, just listen to me
G Bb
Hop on the bus gus, don't need to discuss much,
C7/G G
Just drop off the key Lee, and set yourself free
x2
G D C7/G Ebm6/A
You know it grieves me so to see you in such pain
Em D Bm7 Eb/B B
I wish there was something I could do to make you smile again
G D C7/G Ebm6/A
I said "I appreciate that, and would you please explain
G Am/F# G
'Bout the fifty ways"
G D C7/G Ebm6/A
She said "why don't we both just sleep on it tonight,
Em D Bm7 Eb/B B
And I believe that in the morning you'll begin to see the light."
G D C7/G Ebm6/A
She kissed me and I realised, she probably was right,
G Am/F# G
There must be - fifty ways to leave your lover.
G Am/F# G
Fifty ways to leave your lover
G Bb
Just slip out the back jack, make a new plan stan,
C7/G G
No need to be coy Roy, just listen to me
G Bb
Hop on the bus gus, don't need to discuss much,
C7/G G
Just drop off the key Lee, and set yourself free
x2
------------------
version 3
Em/G D6 |Cmaj7 B7-9 B7|
"The problem is all inside your head", she said to me
Em D#07 |Gmaj9+5 B+|
The answer is easy if you take it logically
Em D6 |Cmaj7 B7-9
I'd like to help you in your struggle to be free
B7 |Em Am7 |Em |
There must be fifty ways to leave your lover
Em/G D6 |Cmaj7 B7-9 B7
She said it's really not my habit to intrude
|Em D#07 |Gmaj9+5 B+
Furthermore, I hope my meaning won't be lost or misconstrued
|Em D6 |Cmaj7 B7-9
But I'll repeat myself at the risk of being crude
B7 |Em Am7 |Em |
There must be fifty ways to leave your lover
Am7 |Em
Fifty ways to leave your lover
|G |
Just slip out the back, Jack
|Bb6 |
Make a new plan, Stan
|C7 |
You don't need to be coy, Roy
|G
Just get yourself free
| |
Hop on the bus, Gus
|Bb6 |
You don't need to discuss much
|C7 |
Just drop off the key, Lee
|G |
And get yourself free
|G |
Just slip out the back, Jack
|Bb6 |
Make a new plan, Stan
|C7 |
You don't need to be coy, Roy
|G
Just get yourself free
| |
Hop on the bus, Gus
|Bb6 |
You don't need to discuss much
|C7 |
Just drop off the key, Lee
|G | | | |
And get yourself free
Em/G D6 |Cmaj7 B7-9
She said it grieves me so to see you in such pain
B7 |Em D#07 |Gmaj9+5 B+ |
I wish there was something I could do to make you smile again
Em D6 |Cmaj7 B7-9
I said I appreciate that and would you please explain
B7 |Em Am7|Em |
About the fifty ways
Em/G D6 |Cmaj7 B7-9
She said why don't we both just sleep on it tonight
B7 |Em D#07 |Gmaj9+5 B+
And I believe in the morning you'll begin to see the light
|Em D6 |Cmaj7 B7-9
And then she kissed me and I realized she probably was right
B7 |Em Am7 |Em |
There must be fifty ways to leave your lover
Am7 |Em
Fifty ways to leave your lover
|G |
Just slip out the back, Jack
|Bb6 |
Make a new plan, Stan
|C7 |
You don't need to be coy, Roy
|G
Just get yourself free
| |
Hop on the bus, Gus
|Bb6 |
You don't need to discuss much
|C7 |
Just drop off the key, Lee
|G |
And get yourself free
|G |
You just slip out the back, Jack
|Bb6 |
Make a new plan, Stan
|C7 |
You don't need to be coy, Roy
|G
Just get yourself free
| |
Hop on the bus, Gus
|Bb6 |
You don't need to discuss much
|C7 |
Just drop off the key, Lee
|G | | | |
And get yourself free
Em/G 322000 or XX5453
D6 xx0432 or XX0202
CM7 x32000
B7-9 x24222 or X2121X
B7 021202
Em 022000
D#dim7 xx1222 or XX1212
GM9+5 320203 or 3X424X
B+ xx1004
Am7 x02213
G 320003
Bb6 x13311 or X13033
C7 x32310
------------------
version 4
Em/G D6 CM7 B7-9 B7 Em D#dim7 GM7 GM9+5 G Bb C Am G
E:--3----2----x---x----x---0----2------2----x-----3---3---0---x--3
B:--5----0----0---1----0---0----1------4----0-----3---3---1---1--0
G:--4----2----0---2----2---0----2------2----0-----4---3---0---2--0
D:--5----0----2---1----1---2----1------4----1-----5---3---2---2--0
A:--x----x----3---2----2---x----x------x----2-----5---1---3---0--2
E:--x----x----x---x----x---x----x------x----x-----3---x---x---x--3
[Intro]
Em/G D6 Cm7 B7-9 B7 Em D#dim7 Gm7 Gm9+5
Em/G D6 CM7 B7-9 B7
Em Am Em
[Verse]
Em/G D6 Cm7 B7-9 B7
The problem is all inside your head she said to me,
Em D#dim7 Gm7 Gm9+5
The answer is easy if you take it logically.
Em/G D6 Cm7 B7-9 B7
I'd like to help you in your struggle to be free.
Em Am Em
There must be - fifty ways to leave your lover.
Em/G D6 Cm7 B7-9 B7
You know it's really not my habit to intrude,
Em D#dim7 Gm7 Gm9+5
Furthermore I hope my meaning won't be lost or miss-construed,
Em/G D6 Cm7 B7-9 B7
But I'll repeat myself, at the risk of being crude.
Em Am Em
There must be - fifty ways to leave your lover
Em Am Em
Fifty ways to leave your lover
[Chorus] x2
G(bar) Bb
Just slip out the back jack, make a new plan Stan,
C G
No need to be coy Roy, just listen to me
G(bar) Bb
Hop on the bus Gus, don't need to discuss much,
C G
Just drop off the key Lee, and set yourself free
[Verse]
You know it grieves me so to see you in such pain
I wish there was something I could do to make you smile again
I said "I appreciate that, and would you please explain
'Bout the fifty ways"
She said "why don't we both just sleep on it tonight,
And I believe that in the morning you'll begin to see the light."
She kissed me and I realised, she probably was right,
There must be - fifty ways to leave your lover.
Fifty ways to leave your lover
[Chorus] x2
G(bar) Bb
Just slip out the back jack, make a new plan Stan,
C G
No need to be coy Roy, just listen to me
G(bar) Bb
Hop on the bus Gus, don't need to discuss much,
C G
Just drop off the key Lee, and set yourself free
------------------
version 5
[Intro/Verses]
This song sounds better when its chords are strummed by using your thummb and forefinger.
H H H Q Q H H H H
e-|--3-----2---|---0---------|--0---2---|--2---3----|
B-|--5-----0---|---0----1-0--|--0---1---|--4---0----|
G-|--4-----2---|---0----2-2--|--0---2---|--2---0----|
D-|--5-----0---|---2----1-1--|--2---1---|--4---1----|
A-|------------|---3----2-2--|--2-------|------2----|
E-|------------|-------------|--0-------|-----------|
H H H Q Q H H W
e-|--0-----2---|---0---------|--0---0---|--0---------|
B-|--0-----0---|---0----1-0--|--0---1---|--0---------|
G-|--0-----2---|---0----2-2--|--0---2---|--0---------|
D-|--2-----0---|---2----1-1--|--2---2---|--2---------|
A-|--2---------|---3----2-2--|--2-------|--2---------|
E-|--0---------|-------------|--0-------|--0---------|
Right before the chorus begins, strum the twelfth fret harmonics to give the song a
smooth transition
It would go as follows
(Last Measure of Verse)
H Q Q
e-|-0-----------<12>-----------|
B-|-0-----------<12>-----------|
G-|-0-----------<12>-----------|
D-|-2-----------<12>-----------|
A-|-2-----------<12>-----------|
E-|-0-----------<12>----12\----|
[Chorus]
Chorus contains three chords, G, Bb, and C. Each chord is strummed for a measure in
standard 4/4 count.
Here's how the chords would match up with the lyrics.
G
You Just slip out the back, Jack
Bb
Make a new plan, Stan
C
You don't need to be coy, Roy
G
Just get yourself free
G
Hop on the bus, Gus
Bb
You don't need to discuss much
C
Just drop off the key, Lee
G
And get yourself free
And that is how you play Paul Simon's 1975 song, 50 Ways to Leave Your Lover
| \ Slide down
| <> natural harmonics
------------------
version 6
CAPO 5
[Verse]
Bm A Gmaj7 A#m6/E
The problem is all inside your head she said to me,
Bm A F#m7 A#/F# F#
The answer is easy if you take it logically.
Bm A Gmaj7 A#m6/E
I'd like to help you in your struggle to be free.
Bm Em/C# Bm
There must be - fifty ways to leave your lover.
Bm A Gmaj7 A#m6/E
You know it's really not my habit to intrude,
Bm A F#m7 A#/F# F#
Furthermore I hope my meaning won't be lost or miss-construed,
Bm A Gmaj7 A#m6/E
But I'll repeat myself, at the risk of being crude.
Bm Em/C# Bm
There must be - fifty ways to leave your lover
Bm Em/C# Bm
Fifty ways to leave your lover
[Refrain]
D F
Just slip out the back jack, make a new plan stan,
G7/D D
No need to be coy Roy, just listen to me
D F
Hop on the bus gus, don't need to discuss much,
G7/D D
Just drop off the key Lee, and set yourself free
x2
[Verse]
Bm A Gmaj7 A#m6/E
You know it grieves me so to see you in such pain
Bm A F#m7 A#/F# F#
I wish there was something I could do to make you smile again
Bm A Gmaj7 A#m6/E
I said "I appreciate that, and would you please explain
Bm Em/C# Bm
'Bout the fifty ways"
Bm A Gmaj7 A#m6/E
She said "why don't we both just sleep on it tonight,
Bm A F#m7 A#/F# F#
And I believe that in the morning you'll begin to see the light."
Bm A Gmaj7 A#m6/E
She kissed me and I realised, she probably was right,
Bm Em/C# Bm
There must be - fifty ways to leave your lover.
Bm Em/C# Bm
Fifty ways to leave your lover
[Refrain]
D F
Just slip out the back jack, make a new plan stan,
G7/D D
No need to be coy Roy, just listen to me
D F
Hop on the bus gus, don't need to discuss much,
G7/D D
Just drop off the key Lee, and set yourself free
x2
------------------
version 7
[Verse]
Em D Cmaj7 B7
The problem is all inside your head she said to me,
Em7 D Cmaj7 Ebdim
The answer is easy if you take it logically.
Em7 D Cmaj7 B7
I'd like to help you in your struggle to be free.
Em Am7 Em
There must be - fifty ways to leave your lover.
Em D Cmaj7 B7
You know it's really not my habit to intrude,
Em D Cmaj7 Ebdim
Furthermore I hope my meaning won't be lost or miss-construed,
Em D Cmaj7 B7
But I'll repeat myself, at the risk of being crude.
Em Am7 Em
There must be - fifty ways to leave your lover
G Am7 Em
Fifty ways to leave your lover
[Chorus]
G Bb
Just slip out the back Jack, make a new plan Stan,
C7 G
No need to be coy Roy, just listen to me
G Bb
Hop on the bus Gus, don't need to discuss much,
C7 G
Just drop off the key Lee, and set yourself free
G Bb
Just slip out the back Jack, make a new plan Stan,
C7 G
No need to be coy Roy, just listen to me
G Bb
Hop on the bus Gus, don't need to discuss much,
C7 G
Just drop off the key Lee, and set yourself free
[Verse]
Em D Cmaj7 B7
You know it grieves me so to see you in such pain
Em D Cmaj7 Ebdim
I wish there was something I could do to make you smile again
Em D Cmaj7 B7
I said "I appreciate that, and would you please explain
Em Am7 Em
'Bout the fifty ways"
Em D Cmaj7 B7
She said "why don't we both just sleep on it tonight,
Em D Cmaj7 Ebdim
And I believe that in the morning you'll begin to see the light."
Em D Cmaj7 B7
She kissed me and I realised, she probably was right,
Em Am7 Em
There must be - fifty ways to leave your lover.
G Am7 Em
Fifty ways to leave your lover
[Chorus]
G Bb
Just slip out the back Jack, make a new plan Stan,
C7 G
No need to be coy Roy, just listen to me
G Bb
Hop on the bus Gus, don't need to discuss much,
C7 G
Just drop off the key Lee, and set yourself free
G Bb
Just slip out the back Jack, make a new plan Stan,
C7 G
No need to be coy Roy, just listen to me
G Bb
Hop on the bus Gus, don't need to discuss much,
C7 G
Just drop off the key Lee, and set yourself free
------------------
version 8
VERSE:
E|-0---2-----------|--0---2---2-----|
A|-0---0---0---1-0-|--0---1---4---0-|
D|-0---2---0---2-2-|--0---2---2---0-|
G|-2---0---2---1-1-|--2---1---4---1-|
B|-2-------3---2-2-|--2-----------2-|
E|-3---------------|--3-------------|
E|-0---2-----------|--0---0--0--|
A|-0---0---0---1-0-|--0---1--0--|
D|-0---2---0---2-2-|--0---2--0--|
G|-2---0---2---1-1-|--2---2--2--|
B|-2-------3---2-2-|--2---0--2--|
E|-3---------------|--3------0--|
Repeat as necessary.
CHORUS:
E|-3-3-3-3-3-3-3-1-1-1-1-1-1-5-5-5-5-5-5--|
A|-3-3-3-3-3-3-3-3-3-3-3-3-3-5-5-5-5-5-5--|
D|-0-0-0-0-0-0-0-3-3-3-3-3-3-5-5-5-5-5-5--|
G|-0-0-0-0-0-0-0-3-3-3-3-3-3-5-5-5-5-5-5--|
B|-2-2-2-2-2-2-2-1-1-1-1-1-1-3-3-3-3-3-3--|
E|-3-3-3-3-3-3-3--------------------------|
Repeat as necessary.
------------------
version 9
Gtr I (E A D G B E) - 'Paul Simon - Acoustic Guitar '
Gtr II (E A D G B E) - 'John Tropea - Electric Guitar '
Intro 1st & 3rd Verses
Q=104
Em/G D6 Cmaj7B7b9 Em D#°
4/4
Gtr I (Ac. Gtr.)
Wx4 H H H Q Q H H
|------------||--0----2----|-0----------|-0----2----|
|------------||o-0----0----|-0----1--0--|-0----1----|
|------------||--0----2----|-0----2-----|-0----2----|
|------------||--2----0----|------1-----|-2----1----|
|------------||o-----------|-3----2-----|-----------|
|------------||--3---------|------------|-----------|
| H H
|
| Gtr II (El. Gtr.)
| Wx4 H H H H H H
|------------||--3----2----|-7----------|-7---------|
|------------||o-5----3----|-5----7-----|-8----7----|
|------------||--4----4----|-5----5-----|-9----5----|
|------------||--5----0----|-5----7-----|-9----7----|
|------------||o-----------|------6-----|------6----|
|------------||------------|------------|-----------|
F#°adG+/B Em D6 Cmaj7B7b9 Em Am7
H H H H H Q Q H H
|-5----3----|-3----2----|-0----------|-----------|
|-0----0----|-0----0----|-0----1--0--|-0----1----|
|-5----0----|-0----2----|-0----2-----|-0----0----|
|-4----1----|-2----0----|------1-----|-2----2----|
|------2----|-----------|-3----2-----|-2----0----|
|-----------|-----------|------------|-----------|
| H H
|
| H H H H H H H H
|-5----3----|-3----2----|-7----2-----|-3---------|
|-0----4----|-5----3----|-5----0-----|-5----5----|
|-5----4----|-4----4----|-5----2-----|-4----5----|
|-4----5----|-5----0----|-5----1-----|-5----5----|
|-----------|-----------|------------|-----------|
|-----------|-----------|------------|-----------|
2nd & 4th Verses
Em Em/G D6 Cmaj7B7b9 Em D#°
W H H H Q Q H H
|-0--------||-0----2----|-0----------|-0----2----|
|-0--------||-0----0----|-0----1--0--|-0----1----|
|-0--------||-0----2----|-0----2-----|-0----2----|
|-2--------||-2----0----|------1-----|-2----1----|
|----------||-----------|-3----2-----|-----------|
|-0--------||-3---------|------------|-0---------|
| H H
|
| W H H H H H H
|-0--------||-3----2----|-7----------|-7---------|
|-0--------||-5----3----|-5----7-----|-8----7----|
|-0--------||-4----4----|-5----5-----|-9----5----|
|-2--------||-5----0----|-5----7-----|-9----7----|
|----------||-----------|------6-----|------6----|
|----------||-----------|------------|-----------|
F#m6 G+/B Em D6 Cmaj7B7 Em Am7
H H H H H H H H
|-5----3----|-0----2----|-0---------|-----------|
|-0----0----|-0----0----|-0----0----|-0----1----|
|-5----0----|-0----2----|-0----2----|-0----0----|
|-4----1----|-2----0----|------1----|-2----2----|
|------2----|-----------|-3----2----|-2----0----|
|-----------|-0---------|-----------|-----------|
|
| H H H H H H H H
|-5----3----|-3----2----|-7----2----|-3---------|
|-4----4----|-5----3----|-5----0----|-5----5----|
|-5----4----|-4----4----|-5----2----|-4----5----|
|-4----5----|-5----0----|-5----1----|-5----5----|
|-----------|-----------|-----------|-----------|
|-----------|-----------|-----------|-----------|
Chorus
Em Am7 Em G7
Gtr II
W H H Q E E H E e E e E e S S e
|-0--------|-^0----^0----|-0------------<12>----||---3---3---3---3-3-|
|-0--------|-^0----^1----|-0--<12>--------------||---3---3---3---3-3-|
|-0--------|-^0----^0----|-0-------<12>---------||---4---4---4---4-4-|
|-2--------|-^2----^2----|-2--------------------||---3---3---3---3-3-|
|----------|-------^0----|----------------------||---5---5---5---5-5-|
|-0--------|-^0----------|-0--------------------||-------------------|
|
| W H H W E e E e E e S S e
|-0--------|-^0----------|-0--------------------||---3---3---3---3-3-|
|-0--------|-^0----^5----|-0--------------------||---3---3---3---3-3-|
|-0--------|-^0----^5----|-0--------------------||---4---4---4---4-4-|
|-2--------|-^2----^5----|-2--------------------||---3---3---3---3-3-|
|----------|-------------|----------------------||---5---5---5---5-5-|
|----------|-------------|----------------------||-------------------|
Bb C
E e e e e e S S e E e e e e e S S e
|-------------------|------------------------|
|---3---3---3---3-3-|----5----5----5----5--5-|
|---3---3---3---3-3-|----5----5----5----5--5-|
|---3---3---3---3-3-|----5----5----5----5--5-|
|---1---1---1---1-1-|----3----3----3----3--3-|
|-------------------|------------------------|
|
| E e E e E e S S e E e E e E e S S e
|---6---6---6---6-6-|----8----8----8----8--8-|
|---6---6---6---6-6-|----8----8----8----8--8-|
|---7---7---7---7-7-|----9----9----9----9--9-|
|---8---8---8---8-8-|---10---10---10---10-10-|
|---8---8---8---8-8-|---10---10---10---10-10-|
|-------------------|------------------------|
G7
E e E e E e S S e E e E e E e S S e
|---3---3---3---3-3-|---3---3---3---3-3-|
|---3---3---3---3-3-|---3---3---3---3-3-|
|---4---4---4---4-4-|---4---4---4---4-4-|
|---3---3---3---3-3-|---3---3---3---3-3-|
|---5---5---5---5-5-|---5---5---5---5-5-|
|-------------------|-------------------|
|
| E e E e E e S S e E e E e E e S S e
|---3---3---3---3-3-|---3---3---3---3-3-|
|---3---3---3---3-3-|---3---3---3---3-3-|
|---4---4---4---4-4-|---4---4---4---4-4-|
|---3---3---3---3-3-|---3---3---3---3-3-|
|---5---5---5---5-5-|---5---5---5---5-5-|
|-------------------|-------------------|
Bb C
E e e e e e S S e E e e e e e S S e
|-------------------|------------------------|
|---3---3---3---3-3-|----5----5----5----5--5-|
|---3---3---3---3-3-|----5----5----5----5--5-|
|---3---3---3---3-3-|----5----5----5----5--5-|
|---1---1---1---1-1-|----3----3----3----3--3-|
|-------------------|------------------------|
|
| E e E e E e S S e E e E e E e S S e
|---6---6---6---6-6-|----8----8----8----8--8-|
|---6---6---6---6-6-|----8----8----8----8--8-|
|---7---7---7---7-7-|----9----9----9----9--9-|
|---8---8---8---8-8-|---10---10---10---10-10-|
|---8---8---8---8-8-|---10---10---10---10-10-|
|-------------------|------------------------|
G7
E e E e E e S S e E e E e E e S S e
|---3---3---3---3-3-|---3---3---3---3-3-|
|---3---3---3---3-3-|---3---3---3---3-3-|
|---4---4---4---4-4-|---4---4---4---4-4-|
|---3---3---3---3-3-|---3---3---3---3-3-|
|---5---5---5---5-5-|---5---5---5---5-5-|
|-------------------|-------------------|
|
| E e E e E e S S e E e E e E e S S e
|---3---3---3---3-3-|---3---3---3---3-3-|
|---3---3---3---3-3-|---3---3---3---3-3-|
|---4---4---4---4-4-|---4---4---4---4-4-|
|---3---3---3---3-3-|---3---3---3---3-3-|
|---5---5---5---5-5-|---5---5---5---5-5-|
|-------------------|-------------------|
Bb C
E e e e e e S S e E e e e e e S S e
|-------------------|------------------------|
|---3---3---3---3-3-|----5----5----5----5--5-|
|---3---3---3---3-3-|----5----5----5----5--5-|
|---3---3---3---3-3-|----5----5----5----5--5-|
|---1---1---1---1-1-|----3----3----3----3--3-|
|-------------------|------------------------|
|
| E e E e E e S S e E e E e E e S S e
|---6---6---6---6-6-|----8----8----8----8--8-|
|---6---6---6---6-6-|----8----8----8----8--8-|
|---7---7---7---7-7-|----9----9----9----9--9-|
|---8---8---8---8-8-|---10---10---10---10-10-|
|---8---8---8---8-8-|---10---10---10---10-10-|
|-------------------|------------------------|
G7
E e E e E e S S e E e E e E e S S e
|---3---3---3---3-3-|---3---3---3---3-3-|
|---3---3---3---3-3-|---3---3---3---3-3-|
|---4---4---4---4-4-|---4---4---4---4-4-|
|---3---3---3---3-3-|---3---3---3---3-3-|
|---5---5---5---5-5-|---5---5---5---5-5-|
|-------------------|-------------------|
|
| E e E e E e S S e E e E e E e S S e
|---3---3---3---3-3-|---3---3---3---3-3-|
|---3---3---3---3-3-|---3---3---3---3-3-|
|---4---4---4---4-4-|---4---4---4---4-4-|
|---3---3---3---3-3-|---3---3---3---3-3-|
|---5---5---5---5-5-|---5---5---5---5-5-|
|-------------------|-------------------|
Bb C G7
E e e e e e S S e E e e e e e S S e W +W
|-------------------|------------------------|-3--------|-(3)-----||
|---3---3---3---3-3-|----5----5----5----5--5-|-3--------|-(3)----o||
|---3---3---3---3-3-|----5----5----5----5--5-|-4--------|-(4)-----||
|---3---3---3---3-3-|----5----5----5----5--5-|-3--------|-(3)-----||
|---1---1---1---1-1-|----3----3----3----3--3-|-5--------|-(5)----o||
|-------------------|------------------------|----------|---------||
|
| E e E e E e S S e E e E e E e S S e W +W
|---6---6---6---6-6-|----8----8----8----8--8-|-3--------|-(3)-----||
|---6---6---6---6-6-|----8----8----8----8--8-|-3--------|-(3)----o||
|---7---7---7---7-7-|----9----9----9----9--9-|-4--------|-(4)-----||
|---8---8---8---8-8-|---10---10---10---10-10-|-3--------|-(3)-----||
|---8---8---8---8-8-|---10---10---10---10-10-|-5--------|-(5)----o||
|-------------------|------------------------|----------|---------||
Outro
Wx4
|--------*|
|--------*|
|--------*|
|--------*|
|--------*|
|--------*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
-----------