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Away by Neurosis Away Notes: dots (.) represent 1/8 note markers. Numbers in parentheses () indicate notes held from a previous measure. The second half of this song gets tricky with changing time signatures, which I've notated to the left of each staff. It's almost free time, but structured very well into alternating 4/4 and 5/4 measures. Main clean part (slowly): e|-----------------------------------------------| B|--13-------------------------------------------| G|*----------------------------------------------| D|*-10----------9-----------7--------------------| A|--------------------------------------10-------| E|-----------------------------------------------| . . . . . . . . |-----------------------------------------------| |-----------------------------------------------| |*---------------------------------------------*| |*---------------------------------------------*| |--8-----------10----------8-----------7--------| |-----------------------------------------------| . . . . . . . . Play several times, then: |-----------------------------------------------| |-----------------------------------------------| |*----------------------------------------------| |*----------------------------------------------| |-----------------------------------------------| |--12----------10----------8-----------7--------| . . . . . . . . |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |--5-----------7-----------8-----------10-------| . . . . . . . . |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |--12-------------------------------------------| . . . . . . . . (hold) |-----------------------------------------------| |-----------------------------------------------| |----------------------------------------------*| |----------------------------------------------*| |-----------------------------------------------| |--(12)-----------------------------------------| . . . . . . . . Wind effects, then: |-----------------------------------------------| |-----------------------------------------------| |*----------------------------------------------| |*-7--------------------------------------------| |--------------8--------------------------------| |--------------------------6--------------------| . . . . . . . . |------------------------------------------------------------| |------------------------------------------------------------| 5 |-----------------------------------------------------------*| ~ |-----------------------------------------------------------*| 4 |------------------------------------------------------------| |(6)---------------------------------------------------------| . . . . . . . . . . |-----------------------------------------------| |--10-------------------------------------------| 4 |--------------10-------------------------------| ~ |--7-----------------------------------7--------| 4 |--------------8--------------------------------| |--------------------------6--------------------| . . . . . . . . |------------------------------------------------------------| |------------------------------------------------------------| 5 |------------------------------------------------------------| ~ |------------------------------------------------------------| 4 |------------------------------------------------------------| |--------5-----5---------------------------------------------| . . . . . . . . . . |-----------------------------------------------| |--10-------------------------------------------| 4 |*-------------10----------------------------10-| ~ |*-7-----------------------------------7--------| 4 |--------------8--------------------------------| |--------------------------6-----------6-----6--| . . . . . . . . |------------------------------------------------------------| |------------------------------------------------------------| 5 |-----------------------------------------------------------*| ~ |-----------------------------------------------------------*| 4 |------------------------------------------------------------| |--------5-----5---------------------------------------------| . . . . . . . . . . Woman's voice (I never heard this before transcribing this song): "As each hour passes, our shadows grow taller, and the darkness expands until the light of healing disappears completely. And we become our shadows. And we become our shadows. And we become our shadows. And we become our shadows." Play 3 times, then this with heavy distortion: (-1077945876s a 1/16 rest) |-----------------------------------------------| |--10-------------------------------------------| 4 |*-------------10-------------------------------| (Gtr. 1) ~ |*-7-----------------------7-----------7--| 4 |--------------8-----------8-----------8--| |--------------------------6-----------6--| | . . . . . . . . | | | | | |-----------------------------------------------| |--10-------------------------------------------| 4 |*-------------10-------------------------------| (Gtr. 2) ~ |*-7-----------------------7-----------7--| 4 |--------------8-----------8-----------8--| |--------------------------6-----------5--| . . . . . . . . "Awaaaaaay!" (Gtr. 1 & 2) |------------------------------------------------------------| |------------------------------------------------------------| 5 |-----------------------------------------------------------*| ~ |--------7-----7--------------------------------------------*| 4 |--------7-----7---------------------------------------------| |--------5-----5---------------------------------------------| . . . . . . . . . . Repeat 16 times, then hold last note for two measures (4/4 + 5/4). Lyrics: Cease this long, long rest Wake and risk a foul weakness to live When it all comes down Watch the smoke and bury the past again Sit and think what will come Raise your fears and cast them all away --------------- version 2 Steve von Till - AADGAD - left channel Scott Kelly - AADGBE - right channel 0:16 SK -----------------------------------------| -----------------------------------------| -----------------------------------------| --10-----9------7-----10-----9------7----| ----------------0-------------------0----| -----------------------------------------| | SVT -----------------------------------------| -----------------------------------0-----| ---------------9------------10--9--4--5--| ---------------7------7-----9------------| -----------------------------------------| -----------------------------------------| 1:06 Riff 1 - both -----------------------------------| -----------------------------------| -----------------------------------| --10--9---7---5---3---5---3---2----| --0---0---0---0---0---0---0---0----| -----------------------------------| Riff 2 SVT -----------------------------------| -----------------------------------| -----------------------------------| ---0---0---0---0--0--0---0---0---0-| ---7-\-5-\-3-\-2--0--2-/-3-/-5-/-7-| -----------------------------------| | SK -----------------------------------| -----------------------------------| -----------------------------------| -------0---0---0--0----------------| ---7-\-5-\-3-\-2--0----------------| -----------------------------------| Riff 1 Riff 2 3:50 SVT -------------------------------| -----0--------5--------0--0----| -----5--4--2--5----10--9--4--5-| -------------------------------| -------------------------------| -------------------------------| | SK -------------------------------| -------------------------------| -------------------------------| ----10--9--7--10--10--9--7--10-| -------------------------------| -------------------------------| Riff 1 Riff 2 6:03 SVT --------------------------------| --------------------------------| ---2----------------------------| --------3-----------------------| x2 -------------1------------------| --------------------------------| 6:23 SVT --------------------------------------------------| --------------------------------------------------| ---2-----------------2----------------------------| --------3-----------------------------------------| x4 -------------1-----------------------(1)--0-------| --------------------------------------------------| | SK --------------------------------------------------| --------------------------------------------------| ---14---------------------------------------------| --------15---------------15-----------------------| x4 ---------------------13---------------------------| -------------13----------------------13---0-------| (2,3,4 time) (3,4 time) 7:02 SK Distortion ---------------------------------------------------------------------| ---------------------------------------------------------------------| ---14----------------------------------------------------------------| -------15------------------------------------------------------------| ------------13----13--13----0---0------------------------------------| ------------------13--13----0---0------------------------------------| | (slight) PM..................... | SVT Distortion (not sure about this) -------------------------------------------------------------------------| ---0--------------0---0--------------------------------------------------| ---14------------ 2---2--------------------------------------------------| ---0--------3-----3---3--------------------------------------------------| ------------1---------------0---0----------------------------------------| ----------------------------0---0----------------------------------------| (slight)PM.... | / slide up | \ slide down | h hammer-on | p pull-off | ~ vibrato | + harmonic | x Mute note | b Bend | pb Pre-bend | br Bend release | pbr Pre-bend release | brb Bend release bend ------------