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Lost To Apathy by Dark Tranquillity



 


                   Lost To Apathy








.  - palm mute           /  - slide up to
\  - slide down to       ~  - vibrato
h  - hammer on           b  - Bend
p  - pull off            Suffixes for bend
t  - tap                 f  - full bend    h - half bend
ph - pinched harmonic    q  - quarter bend t - tap bend
*  - see comment         ^  - Hold bend    r release bend
x  - Stuccatto           ~  - vibrato bend
,  - slight palm mute    () - ghost note, sustained note
"  - tremolo pick        <> - Trill


Tuning:  Down 1 1/2 step (Db Gb B E Ab Db)

Riff 1          
|------------------------------|-------------------------------------------|
|------------------------------|-------------------------------------------|
|o----------------------------o|-5----5-5-5-5-5----5-5-5-5----2---4h5-4~~~-|
|o-2----2-2-2-2-2----2-2-2-2--o|-5----5-5-5-5-5----5-5-5-5-5---------------|
|--2----2-2-2-2-2----2-2-2-2---|-3----3-3-3-3-3----3-3-3-3-----------------|
|--0----0-0-0-0-0----0-0-0-0---|-------------------------------------------|


|------------------------------|-------------------------------------------|
|------------------------------|-------------------------------------------|
|o----------------------------o|-5----5-5-5-5-5----5-5-5-5-5--7--5--4------|
|o-2----2-2-2-2-2----2-2-2-2--o|-5----5-5-5-5-5----5-5-5-5-5--7--5--4------|
|--2----2-2-2-2-2----2-2-2-2---|-3----3-3-3-3-3----3-3-3-3-3--5--3--2------|
|--0----0-0-0-0-0----0-0-0-0---|-------------------------------------------|


Riff 2
|-------------------------------------------------------------------------|
|-------------------------------------------------------------------------|
|-------------------------------------------------------------4-----------|
|-----5---7---9-----5---------5---7---9-----5-----4-4-5-4-7-4---4-4-5-4-4-|
|-7-7---7---7---7-7---7-7-7-7---7---7---7-7---7-7-------------------------|
|-------------------------------------------------------------------------|
  . .   .   .   . .   . . . .   .   .   . .   . . . .   .   .   . .   . .

|--------------------------|
|--------------------------|
|--------------------------|
|-4-4-5-4-7-4-5-7-5-5-4-4--|
|--------------------------|
|--------------------------|
  . .   .   . .   . . . .


Riff 3
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-------5-5-5-4----------------5---------5-5-5-4--------------ph--|
|-------------4----------7-7-7-5---------------4--------4-----5~~~|
|-----------------------------------------------------------------|
|-0---0-------------0--0-----------0---0------------0-----0-0-----|
                                                          . .

next, play riff 2, except substitute this at the end:
|--------------------------|
|--------------------------|
|-----7----7----7----------|
|-----7----7----7----------|
|-5-5-5----5----5----------|
|--------------------------|
  . . x    x    x


Riff 4
|----------0--------------0-----------------------------------------|
|-------------------------------------------0-----------------------|
|----------------------5-----5-----------------------------4--4/5\4-|
|-------2-----------5-----------5--------5-----5--------4-----x-x-x-|
|----2-----------3--------------------5-----------5--2--------2/3\2-|
|-0--------------------------------3--------------------------------|
let ring throughout

|----------0--------------0-------------------------------------------|
|-------------------------------------------0-------------------------|
|----------------------5-----5----------------------------------------|
|-------2-----------5-----------5--------5-----5-----4--4--5--7--5--4-|
|----2-----------3--------------------5-----------5-------------------|
|-0--------------------------------3----------------------------------|
                                                     x  x  x  x  x  x
during 2nd half of Riff 4, guitar 2 plays:
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|---------------------------------9-----------------------------|
|--9--9--10--9--7--9--10--10--12-----12--10--9--9--10--9--7-----|
|------------------------------------------------------------10-|
|---------------------------------------------------------------|
stuccatto and palm muted throughout, gradually release palm mute.

|--------------------|
|--------------------|
|--------------------|
|-----------7--------|
|-9--9--10-----10--9-|
|--------------------|


Riff 5
Guitar 1:
|--------------------------------------------|
|--------------------------------------------|
|-----------5------------------4----4--5--4--|
|-2---------5--------5---------4----4--5--4--|
|-2---------3--------5---------2----2--3--2--|
|-0------------------3-----------------------|

Guitar 2:
|-7p0-7p0-8p0-7p0-5p0-7p0-8p0-8p0-10p0-12p0-10p0-8p0-|
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|

Guitar 2(cont.):
|-7p0-7p0-8p0-7p0-5p0-3p0-2p0-2p0-3p0-5p0-3p0-2p0-|
|-------------------------------------------------|
|-------------------------------------------------|
|-------------------------------------------------|
|-------------------------------------------------|
|-------------------------------------------------|

 before Riff 6, play this at end of Riff 1:
|-----------|
|-----------|
|-----------|
|-5--5------|
|-5--5------|
|-3--3------|


Riff 6:
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|--2-2---------2-2----2-2---------2-2----2-2---------|
|--2-2---------2-2----2-2---------2-2----2-2---------|
|--0-0---------0-0----0-0---------0-0----0-0---------|
   . .         . .    . .         . .    . .


|----------------------------|
|----------------------------|
|----------5--5--5--4--4--ph-|
|--2-2-2-2-5--5--5--4--4--4~~|
|--2-2-2-2-3--3--3--2--2-----|
|--0-0-0-0-------------------|
   . . . .

Riff 7:
Guitar 1 plays variation of Riff 6.
Guitar 2:
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|--------4-----2-----------4-----2-----------4-----2----5--5--5--4--4--4-|
|-----2-----------2-----2-----------2-----2----------2--5--5--5--4--4--4-|
|-------------------------------------------------------3--3--3--2--2--2-|
|--0--------0--------0--------0--------0--------0------------------------|
   .  .     .        .  .     .        .  .     .  

Riff 8:
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|-------4-----2-----------4-----2-----------4-----2-----------4--------0-|
|----2-----------2-----2-----------2-----2-----------2-----5--------4----|
|-------------------------------------------------------3--------2-------|
|-0--------0--------0--------0--------3--------3-------------------------|

variation:
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|-------4-----2-----------4-----2-----------4-----2--------5--------4----|
|----2-----------2-----2-----------2-----2-----------2--------5--------4-|
|-------------------------------------------------------3--------2-------|
|-0--------0--------0--------0--------3--------3-------------------------|


Solo (with Riff 8 and variations thereof):
|-----------------------------------------------------------------------------|
|-----------------------10-12-12~~~12---------------------------12-10----10-12|
|--9-11-(11)/12-11-9-11---------------9-11-(11)/12-11-9---9-11-12----11-14----|
|9------------------------------------------------------12--------------------|
|-----------------------------------------------------------------------------|
|-----------------------------------------------------------------------------|

|--------------------------------------------------------------------------|
|-----------------------10-12-12~~~12--------------------------------------|
|--9-11-(11)/12-11-9-11---------------9-11-(11)/12-11-9---12-11-9----------|
|9------------------------------------------------------12-------12-10-9~~~|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|

|-----------------------------------------------------------------------------|
|--------12-10-12-------12-10-12---12-10-12~~~---10-12-10-12-10--10-----------|
|------9----------9---9-----------------------/12--------------12--12-11-9-11-|
|-9-12--------------9---------------------------------------------------------|
|-----------------------------------------------------------------------------|
|-----------------------------------------------------------------------------|

|--------------------------10----------------------------14-14bf^r-12~~~~~~|
|-/12-------10-------8-------13-12-10-12-10-12~~~12/17~~~------------------|
|-/12-------11-------9-----------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|


Riff 9 (with effects):
|---------------|
|---------------|
|---------------|
|-9---9-9-9-9-9-|
|-7---7-7-7-7-7-|
|---------------|


Variation of riff 1 at end of song:
|-----------------------|
|-----------------------|
|-5--7--5--4------------|
|-5--7--5--4--5--5--2-2-|
|-3--5--3--2--5--5--2-2-|
|-------------3--3--0-0-|
              .  .  . .

Song structure:
Riff 1--1x
Riff 2--2x
Riff 3--2x
Riff 2--2x (with variation at end)
Riff 4--1x
Riff 1--1x
Riff 5--2x
Riff 2--2x
Riff 3--2x
Riff 1--1x (with variation at end)
Riff 6--2x
Riff 7--2x (with variation of Riff 6)
Solo with Riff 8 and variations
Riff 5--2x
Riff 2--2.25x
Riff 4--1x
Keyboard interlude w/Riff 9
Riff 1--1x
Riff 1--1x with palm muted variation






The unsaid tone of weak despair
Fail to resonate
Frayed ends of our binding threads
Will disintegrate
By the laws our physique state
Failure to communicate
None too sentient
Hear no, see no works its magic
Against all function
Ongoing choices the trials will end
Filter the nonsense and laugh at what's left
Indecision/nonvision what matters taken away

Look at the shell that is you
Empty, fragile, weak
Soon the battle is over
Lost to apathy

So overcome with pointless tears
To test pain receptors
Nothing matters ever here
Put up a nonreaction
These eyes will never see
Covered up from reality

Look at the shell that is you
Empty, fragile, weak
Soon the battle is over
Lost to apathy

The unknown world that you deny
No priority
Cannot fail if you never start
How predictable
I want to know where did it end
For madness to start
Always the sceptic never the part
Introvertive/nondescriptive
It matters not, not

Look at the shell that is you
Empty, fragile, weak

Look at the shell that is you
Empty, fragile, weak
Soon the battle is over
Lost to apathy

The shell that is you
Empty, fragile, weak
Now the battle is over
Lost to apathy

German Translation / Deutsche Ãœbersetzung:

Der unausgesprochene Klang der energielosen Verzweiflung?
Gescheitert sich anzupassen
Die ausgefransten Enden der Fäden die uns zusammenhalten
Werden reissen
Durch die Gesetzte unseres körperlichen Zustands
Erfolglosigkeit zu kommunizieren
Nichts zu empfinden
Hör nichts, sieh, nichts funktioniert, es ist Magie
Gegen jeden Zweck
Ständige Entscheidungen, die Versuche werden aufhören
Filter den Schwachsinn und lach über das was übrig bleibt
Unentschlossenheit / Keine Träume...was wichtig ist fortgeschafft

Chorus:
Sieh dir die Hülle an die du bist
Leer, zerbrechlich, schwach
Bald wird der Kampf vorbei sein
Verloren gegen Apathie

So überwältigt von sinnlosen Tränen
Um Schmerzrezeptoren zu testen
Nichts ist hier jemals irgendwann von Bedeutung
Bringt keine Reaktion auf
Diese Augen werden niemals sehen...
Isoliert von der Realität

(Chorus)

Die unbekannte Welt die du ablehnst
Keine Priorität
Du kannst nicht scheitern wenn du niemals anfängst
Wie vorhersehbar
Ich will wissen wo es aufgehört hat
damit der Wahnsinn beginnt
Immer skeptisch, niemals Bestandteil
Introvertiert / nichts-darstellend
Es bedeutet nichts
Nichts!

(Chorus)









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