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Harry by Bauhaus






                            Harry 








Song progression: (1) (A1)+(A2) X 4
		  (2) (A1) X 4
		  (3) (B) X 2
		  (4) (A1) X 2
		  (5) (C1) X 4 [bend up last note last repetition]
                  (6) (A1)+(A2) X 2
		  (7) (A1) X 4
		  (8) (B)+(A1) X 1
		  (9) (A1) X 2
		 (10) (A1)+(A2) X 2
		 (11) (A1) X 4
		 (12) (B) X 2
		 (13) (A1) X 3
		 (14) (A1)+(A2) X 5

(A1)|---------------|---------------|
    |----(H)----(H)-|----(H)----(H)-|
    |-8-8-8--8-8-8--|-6-6-6--6-6-6--|
    |-8-8-8--8-8-8--|-6-6-6--6-6-6--|
    |-6-6-6--6-6-6--|-4-4-4--4-4-4--|
    |---------------|---------------|

(A2)|---------------|---------------|
    |----(H)----(H)-|----(H)----(H)-|
    |-8-8-8------8--|-----8------8--|
    |-8-8-8------8--|-----8------8--|
    |-6-6-6------6--|-----6------6--|
    |---------------|---------------|

(A3)|---------------|---------------|
    |----(H)----(H)-|----(H)----(H)-|
    |-8-8-8--8-8-8--|-6-6-6--6-6-6--|
    |-9-8-8--8-8-8--|-6-6-6--6-6-6--|
    |-6-6-6--6-6-6--|-4-4-4--4-4-4--|
    |---------------|---------------|

(B)|---------------------|---------------------|
   |-------(H)-------(H)-|-------(H)-------(H)-|
   |-13-13-13--13-13-13--|-11-11-11--11-11-11--|
   |-13-13-13--13-13-13--|-11-11-11--11-11-11--|
   |-11-11-11--11-11-11--|--9--9--9---9--9--9--|
   |---------------------|---------------------|

(C1)|---------------------|---------------------|
    |--(H)-------(H)------|--(H)-------(H)------|
    |--13--------13-------|--13--------13-------|
    |--13--------13-------|--13--------13-------|
    |--11--------11-------|--11--------11-------|
    |---------------------|---------------------|

(C2)|---------------------|---------------------|
    |--(H)-------(H)------|--(H)-------(H)------|
    |--13--------13-------|--11--------11-------|
    |--13--------13-------|--11--------11-------|
    |--11--------11-------|---9---------9-------|
    |---------------------|---------------------|

Song Notes:

(1) All these triplets have the fingers touching the tab for the first two
(in a down/up double strum) postures.

(2) The third one is when the fingers press the tab into the fretboard.
Those notes are generally hammered out.








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