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Enter The Arena by Megadeth
Enter The Arena
Tuning: Standard
Riff 1
e|------------------------------------|
B|------------------------------------|
G|------------------------------------|
D|--------6-----------------------8~--|
A|-3-3--x-6----------------3-3--x-8~--|
E|-1-1--x------------------1-1--x-----|
Riff 2
e|-----------------------|
B|-----------------------|
G|-----------------------|
D|--------6-----------8~-|
A|-3-3--x-6----3-3--x-8~-|
E|-1-1--x------1-1--x----|
e|-------------------------|
B|-------------------------|
G|-------------------------|
D|--------6-----------6-8--|
A|-3-3--x-6----3-3--x-4-6--|
E|-1-1--x------1-1--x------|
Ending
e|-------|
B|-------|
G|-------|
D|-------|
A|--3-3--|
E|--1-1--|
Here we go crush, crush, Crush'em"
Notation:
10^ = bend a quarter step.
10b11 = bend a half step.
10b12 = bend a full step.
10b12r10 = bend and release.
[10]12 = pre-bend.
[10]12r10 = pre-bend and release.
{14} = pick the 14th fret while holding the most
previous bend.
<17> = touch the string above the 17th fret while
previous note(s) is(are) still ringing.
10b13* = tremolo bar bend, from the 10th fret to the 13th fret.
7d4* = tremolo bar dive, from the 7th fret to the 4th fret.
12~* = tremolo bar vibrato.
x = mute with fret-hand
* = palm mute
X\\ = pick slide
h = hammer-on
p = pull-off
~ = vibrato
t = finger tap
/ = slide up
\ = slide down
h. = natural harmonics
a = artificial harmonics
(9) = ghost note
tm = trem picking
tr = trill
------------------
version 2
E|--------------------------------------------------------------|
B|--------------------------------------------------------------|
G|--------------------------------------------------------------|
D|--------------------6--(6)--------------------------8--(8)----|
A|-3-3----------------6--(6)-------3-3----------------8--(8)----|
E|-1-1-----------------------------1-1--------------------------|
E|--------------------------------------------------------------|
B|--------------------------------------------------------------|
G|--------------------------------------------------------------|
D|--------------------6--(6)-----------------------------8--(8)-|
A|-3-3----------------6--(6)-------3-3-------------------8--(8)-|
E|-1-1-----------------------------1-1--------------------------|
E|--------------------------------------------------------------|
B|--------------------------------------------------------------|
G|--------------------------------------------------------------|
D|--------------------6--(6)-----------------------------8--(8)-|
A|-3-3----------------6--(6)-------3-3-------------------8--(8)-|
E|-1-1-----------------------------1-1--------------------------|
E|--------------------------------------------------------------|
B|--------------------------------------------------------------|
G|--------------------------------------------------------------|
D|--------------------6--(6)-----------------------------8--(8)-|
A|-3-3----------------6--(6)-------3-3-------------------8--(8)-|
E|-1-1-----------------------------1-1--------------------------|
E|--------------------------------------------------------------|
B|--------------------------------------------------------------|
G|--------------------------------------------------------------|
D|-----------6---------------8--------------6--------------6--8-|
A|-3-3-------6--3-3----------8--3-3---------6--3-3---------4--6-|
E|-1-1-----------1-1------------1-1------------1-1--------------|
E|--------------------------------------------------------------|
B|--------------------------------------------------------------|
G|--------------------------------------------------------------|
D|-----------6---------------8--------------6--------------6--8-|
A|-3-3-------6--3-3----------8--3-3---------6--3-3---------4--6-|
E|-1-1-----------1-1------------1-1------------1-1--------------|
E|------------|
B|------------|
G|------------|
D|------------|
A|-3-3--------|
E|-1-1--------|
Here we go crush, crush, Crush'em"
------------------
version 3
Gtr I (E A D G B E) - 'Untitled'
Uh... This is it.
Q=118
F5 Ab5 F5 Bb5
4/4
Gtr I
PM PM
E Q E H +W E Q E H +W 4x
||--------------|------------|-------------|---------||
||o-------------|------------|-------------|--------o||
||--------------|------------|--------3----|-(3)-----||
||--3-3----6----|-(6)--------|-3-3----3----|-(3)-----||
||o-3-3----6----|-(6)--------|-3-3----1----|-(1)----o||
||--1-1--1-4----|-(4)--------|-1-1--1------|---------||
F5 Ab5 F5 Bb5 F5 Ab5 F5 DbEb5 F5
1/4
PM PM PM PM
E Q E H E Q E H E Q E H E Q E E Q. E E
||--------------|-------------|-------------|----------------||-----*|
||o-------------|-------------|-------------|---------------o||-----*|
||--------------|--------3----|-------------|--------6-8-----||-----*|
||--3-3----6----|-3-3----3----|-3-3----6----|-3-3----6-8-----||-3-3-*|
||o-3-3----6----|-3-3----1----|-3-3----6----|-3-3----4-6----o||-3-3-*|
||--1-1--1-4----|-1-1--1------|-1-1--1-4----|-1-1--1---------||-1-1-*|
Here we go crush, crush, Crush'em"
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
-------------------