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Anyway by Genesis
Anyway
NOTES :
1- the "| |" symbolises the measures
2- the notes put between "( )" are chords
3- when a "/" is placed in a chord, it means that the bass differs from
the fundamental note of the chord, for instance, (Fmadd9/Ab) the bass
plays an [Ab]
4- |Cm6+7(No Bass) // Cm6+7/D| means that the chord (Cm6+7/D) is played
on the last time of the measure, if there are 2 chords, these 2 chords
are played on the two last times of the measure (sorry but transcription
is limited with the mail, anyway listen to the record, it's rather
simple but hard to transcribe)
5- the notes put between "[ ]" are single notes (played by the bass)
6- "*" symbolises a bend, the tension of this bend is put between a "[
]"
for instance : *[1] bend one tone higher
7- a tabbed note put in a "( )" results from the release of a bend, the
note is not picked
8- a "." put upon a tabbed note symbolises a staccato
9- "~~~~" are vibratos
INTRO : |Gmadd2|Cm6+7|C6+7|Bbmaj7|Gmadd2+6|Ebsus4|Ddim6|
(Ddim6)All the pumping's nearly over for my (Gmadd2)sweet heart,
(Cm6+7)This is the one for (C6+7)me,
(Bbmaj7)Time to meet the chef,
(Gmadd2+6)O boy! (Ebsus4)running man is out of (Ddim6)death.
Feel cold and old, it's getting hard to (Fsus2)catch my breath.
It's (Cadd4+7)back to ash, (Fsus2)'now, you've had your flash boy'
(Cadd4+7)The rocks, in time, compress
Your (Bbm6)blood to oil,
Your (Fmadd9/Ab)flesh to coal,
En(Bbm6)rich the soil,
Not (Fmadd9)everybody's goal.
(Gmadd2)Anyway, they (Cm6+7)say she comes on a (C6+7)pale horse,
But I'm (Bbmaj7)sure I hear a train.
(Gmadd2+6)O boy! I (Ebsus4)don't even feel no (Ddim6)pain -
I guess I must be driving my(Fsus2)self insane.
(Cadd4+7)Damn it all! does (Fsus2)earth plug a hole in heaven,
(Cadd4+7)Or heaven plug a hole in (Bbm6)earth
- 'How wonderful to be (Fmadd9/Ab)so profound,
When (Bbm6)everything you are is dying (Fmadd9)underground.'
INTERLUDE (Time/2):
|Gmadd2|Cm6+7(No Bass) // Cm6+7/D|
|Gmadd2|Cm6+7JD // Cm6+7 // Cm6+7/A|
|Gmadd2|Cm6+7(with [D] [C#] [A] [C])|
(|Gmadd2|Cm6+7|) with [D] [C#] [A] [C] [Bb] [G] [A] [G] [D] [G] [F] [C]
[Eb] [D] [C] [Eb] [E]
|Dmin6|
DOUBLE GUITAR SOLO :
(Gmadd2) . (Cm6+7) .
|-------------------------------------------------------------14---------|
|--13*[1]---11-13-(13)*[1]*(13)-11--11----15*[=BD]--------15*[=BD]-------|
|---------------------------------14-----------------------------12------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
| . .
|-------------------------------------------------------------10---------|
|-------------------------------------------------------11*[1]-----------|
|--14*[=BD]---12-14-(14)*[=BD]*(14)-12--12----12---------------------10--|
|---------------------------------15-------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
(C6+7) . (Bbmaj7) . .
|----------------13------------16-15-16---18~~---16-15-16-----------|
|--15*[1]--15---------------------------------------------15~~~~----|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
| . . .
|-------------------------------------------------------------------|
|--11*[1]--11--13--------------15-13-15---16~~---15-13-15-----------|
|---------------------------------------------------------12~~~~----|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
(Gmadd2+6) (Ebsus4) (Dmin6)
|------------------------------------------------------17~~~~~------|
|--13*[1]--13--11---10-11--11--10~~~~-------------------------------|
|------------------------12-----------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|
|----------------------------------------------------------------------|
|-------------------------------------------------------15~~~~~--------|
|--14*[=BD]--14--12---10-12--------------------------------------------|
|------------------------13-10--12~~~~---------------------------------|
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
INTRO : |Gmadd2|Cm6+7|C6+7|Bbmaj7|Gmadd2+6|Ebsus4|Ddim6|
(Ddim6)I feel the pull on the rope, let me off at the (Gmadd2)rainbow.
I (Cm6+7)could have been exploding in (C6+7)space
Different (Bbmaj7)orbits for my bones
(Gmadd2+6)Not me, just (Ebsus4)quietly buried in (Ddim6)stones,
Keep the deadline open with my (Fsus2)maker!
(Cadd4+7JG)See me stretch(Cadd4+7); for (Fsus2)God's elastic acre
(Cadd4+7JG)The doorbell (Cadd4+7)rings and it's :
"Good (Bbm6)morning Rael
So (Fmadd9/Ab)sorry you had to wait.
It won't be (Bbm6)long, yeh!
She's (Fmadd9)very rarely late.
-----
All the pumping's nearly over for my sweet heart,
This is the one for me,
Time to meet the chef,
O boy! running man is out of death.
Feel cold and old, it's getting hard to catch my breath.
's back to ash, 'now, you've had your flash boy'
The rocks, in time, compress
your blood to oil,
your flesh to coal,
enrich the soil,
not everybody's goal.
Anyway, they say she comes on a pale horse,
But I'm sure I hear a train.
O boy! I don't even feel no pain -
I guess I must be driving myself insane.
Damn it all! does earth plug a hole in heaven,
Or heaven plug a hole in earth - 'how wonderful to be so profound,
when everything you are is dying underground.'
There's not much spectacle for an underground creole as he walks through the gates of Sheol. "I would have preferred to have been jettisoned into a thousand pieces in space, or filled with helium and floated above a mausoleum. This is no way to pay my last subterranean homesick dues. Anyway I'm out of the hands of any pervert embalmer doing his interpretation of what I should look like, stuffing his cotton wool in my cheeks."
I feel the pull on the rope, let me off at the rainbow.
I could have been exploding in space
Different orbits for my bones
Not me, just quietly buried in stones,
Keep the deadline open with my maker!
See me stretch; for God's elastic acre
The doorbell rings and its
"Good morning Rael
So sorry you had to wait.
It won't be long, yeh!
She's very rarely late."
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