TAB by Song : 47018
Tab List Area
1 Pages 1 Results
Past Is A Grotesque Animal by Of Montreal Past Is A Grotesque Animal The entire song is basically Gm Bb Dm Fmaj7 played either by just bass notes or as palm muted power chords. The guitar riff that is maintained throughout goes like this: Gm e|-----------------------------------------------------------------| B|/3-3-------------3-3-------------3-3-------------3-3-------------| G|-----0-0-------------0-0-------------0-0-------------0-0---------| D|---------5-5-0-0---------5-5-0-0---------5-5-0-0---------5-5-0-0-| A|-----------------------------------------------------------------| E|-----------------------------------------------------------------| Bb e|-----------------------------------------------------------------| B|-----------------------------------------------------------------| G|-0-0-3-3---------0-0-3-3---------0-0-3-3---------0-0-3-3---------| D|---------3-3-0-0(0)------3-3-0-0(0)------------------------------| A|-----------------------------------------5-5-1-1(1)------5-5-3-3-| E|-----------------------------------------------------------------| Dm e|-----------------------------------------------------------------| B|-----------------------------------------------------------------| G|-0-0-2-2---------0-0-2-2---------0-0-2-2---------0-0-2-2---------| D|---------3-3-0-0(0)------3-3-0-0(0)------3-3-0-0(0)------3-3-0-0-| A|(3)--------------------------------------------------------------| E|-----------------------------------------------------------------| Fmaj7 e|-----------------------------------------------------------------| B|-1-1-------------1-1-------------1-1-------------1-1-------------| G|-----2-2-------------2-2-------------2-2-------------2-2---------| D|(0)------2-2-------------2-2-------------2-2-------------2-2-----| A|-------------3-3(3)----------3-3(3)----------3-3(3)----------3-3-| E|-----------------------------------------------------------------| This is two guitars tabbed for one. The notes in brackets are played, but if you are trying to play both at the same time it's better to leave them out. Gm [3 5 5 3 3 3 ] A# [6 8 8 7 6 6 ] Dm [x 5 7 7 6 5 ] F [x 8 10 10 10 8 ] Gm Bb The past is a grotesque animal and in it's eyes you see Dm how completely wrong you can be F how completely wrong you can be Gm the sun is out it melts the snow that fell yesterday Bb Dm makes you wonder why it bothered Dm i fell in love with the first cute girl that i met Gm who could appreciate George Bataille Bb Dm standing at a Swedish festival discussing the "story of the eye" F discussing the "story of the eye" Gm it's so embarrassing to need someone like i do you Bb Dm how can i explain i need you here and not here too F how can i explain i need you here and not here too Gm I'm flunking out i'm gone i'm just gone Bb Dm but at least i author my own disaster F at least i author my own disaster Gm performance breakdown and i don't want to hear it Bb i'm just not available Dm things could be different but they're not F things could be different but they're not Gm the mousy girl screams "violence! violence!" the mousy girl screams "violence! violence!" Bb she gets hysterical Dm cause they're both so mean and it's my favorite scene Gm but the cruelty's so predictable it makes you sad on the stage Bb though our love project has so much potential but it's like we weren't made for this world Dm F though i wouldn't really want to meet someone who was Gm do i have to scream in your face? Bb i've been dodging lamps and vegetables throw it all in my face Dm i don't care let's just have some fun Bb let's tear this shit apart let's tear the fucking house apart Gm let's tear our fucking bodies apart Bb but let's just have some fun Dm somehow you've red rovered the gestapo circling my heart and nothing can defeat you no death no ugly world Gm you've lived so brightly you've altered everything Bb i find myself searching for old selves Dm F Gm while speeding forward through the plate glass of maturing cells Bb i've played the unraveler the parhelion Dm but even Apocalypse is fleeting there's no death no ugly world Gm sometimes i wonder if you're mythologizing me like i do you Bb mythologizing me like i do you Dm we want our film to be beautiful not realistic F perceive me in the radiance of terror dreams Gm and you can betray me Bb you can you can betray me Dm but teach me something wonderful F crown my head crowd my head with your lilting effects project your fears on to me i need to view them Gm see there's nothing to them Bb i promise you there's nothing to them Dm i'm so touched by your goodness you make me feel so criminal F Gm how do you keep it together? i'm all all unraveled Bb but you know no matter where we are we're always touching by underground wires Dm i've explored you with the detachment of an analyst F but most nights we've raided the same kingdoms Gm and none of our secrets are physical Bb none of our secrets are physical Bb Dm none of our secrets are physical now -------------------- version 2 4 chords throughout song in repeat. Try muting un-noted strings Chords: E--------------| B--------------| G---------7----| D---5--8--7--3-| A---5--8--5--3-| E---3--6-----1-| intro is simply the bass notes(3,6,5,1) played singularly the riff: E--------------------| B--3-3---------------| G-------0-0----------| D-----------5-5------| A----------------5-5-| E--------------------| E---------------------| B---------------------| G---------------------| D--7-7-8-8------------| A-----------8-8-------| E---------------10-10-| E--------------------| B--------------------| G--0-0---------------| D------7-7-----------| A----------8-8-------| E--------------10-10-| E------------------| B------------------| G--5-5-------------| D------7-7---------| A----------7-7-----| E--------------8-8-| if you listen to the song you can get the riff, timing etc. i rated this as intermediate mainly because the riff has slightly weird fingering but a practice and you'l be lasting the whole 12 minutes. -------------------- version 3 This pattern is repeated throughout the entire song. Cm Eb/B e|-----------------------------------------------------------------| B|-4-----4-------4-------4---------4-----4-------4-------4---------| G|---5-------5-------5-------5-------3-------3-------3-------3-----| D|-----5-------5-------5-------5-------5-------5-------5-------5---| A|-3-------3-------3-------3---------------------------------------| E|---------------------------------6-------6-------6-------6-------| Fm Ab e|-1-----1-------1-------1-----------------------------------------| B|---1-------1-------1-------1-------------------------------------| G|-----1-------1-------1-------1---5-----5-------5-------5---------| D|-3-------3-------3-------3---------6-------6-------6-------6-----| A|-------------------------------------6-------6-------6-------6---| E|---------------------------------4-------4-------4-------4-------| UPDATE: When Kevin Barnes plays this, he actually uses a guitar that is tuned down a whole step, that is, two half-steps. Then the song is in Dm(relative to tuning): Dm F/C d|-1-----1-------1-------1---------1-----1-------1-------1---------| A|---3-------3-------3------3--------1-------1-------1-------1-----| F|-----2-------2-------2------2--------2-------2-------2-------2---| C|-0-------0-------0------0-----------(3)-----(3)-----(3)-----(3)--| G|---------------------------------3-------3-------3-------3-------| D|-----------------------------------------------------------------| Gm Bb e|-3-----3-------3-------3-----------------------------------------| B|---3-------3-------3-------3-----3-----3-------3-------3---------| G|-----3-------3-------3-------3-----3-------3-------3-------3-----| D|-5--(5)--5--(5)--5--(5)--5-----------3-------3-------3-------3---| A|(5)-----(5)-----(5)-----(5)------1-------1-------1-------1-------| E|-----------------------------------------------------------------| Obviously this pattern has variations over the length of the song, and the notes that are sometimes substituted are written in brackets. The past is a grotesque animal And in its eyes you see How completely wrong you can be How completely wrong you can be The sun is out, it melts the snow that fell yesterday Makes you wonder why it bothered I fell in love with the first cute girl that I met Who could appreciate Georges Bataille Standing at Swedish festival discussing "Story of the Eye" Discussing "Story of the Eye" It's so embarrassing to need someone like I do you How can I explain, I need you here and not here too How can I explain, I need you here and not here too I'm flunking out, I'm flunking out, I'm gone, I'm just gone But at least I author my own disaster At least I author my own disaster Performance breakdown and I don't want to hear it I'm just not available Things could be different but they're not Things could be different but they're not The mousy girl screams, "Violence! Violence!" The mousy girl screams, "Violence! Violence!" She gets hysterical because they're both so mean And it's my favorite scene But the cruelty's so predictable It makes you sad on the stage Though our love project has so much potential But it's like we weren't made for this world (Though I wouldn't really want to meet someone who was) Do I have to scream in your face? I've been dodging lamps and vegetables Throw it all in my face, I don't care Let's just have some fun Let's tear this shit apart Let's tear the fucking house apart Let's tear our fucking bodies apart But let's just have some fun Somehow you've red-rovered the gestapo circling my heart And nothing can defeat you No death, no ugly world You've lived so brightly You've altered everything I find myself searching for old selves While speeding forward through the plate glass of maturing cells I've played the unraveler, the parhelion But even apocalypse is fleeting There's no death, no ugly world Sometimes I wonder if you're mythologizing me like I do you Mythologizing me like I do you We want our film to be beautiful, not realistic Perceive me in the radiance of terror dreams And you can betray me You can, you can betray me But teach me something wonderful Crown my head, crowd my head With your lilting effects Project your fears on to me, I need to view them See, there's nothing to them I promise you, there's nothing to them I'm so touched by your goodness You make me feel so criminal How do you keep it together? I'm all, all unraveled But you know, no matter where we are We're always touching by underground wires I've explored you with the detachment of an analyst But most nights we've raided the same kingdoms And none of our secrets are physical None of our secrets are physical None of our secrets are physical now ------