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Clam, Crab, Cockle, Cowrie by Joanna Newsom


                      Clam, Crab, Cockle, Cowrie


Capo:2nd fret
Author Tolo [a] 147. Last edit on Nov 10, 2020

B = A shape
F# = E shape
E = D shape
G#m = F#m shape
 
           B                                                           F#
That means no where I come from. I am cold, out waiting for the day to come. 
          B                               B        F#           E
I chew my lips, oh and I scratch my nose, feels so good to be a rose. 
 
   B
Oh don't, don't you lift me up like I'm that shy, no no no no no, 
             F#
just give it up – 
             E          F#         B
There are bats all dissolving in a row
         E              F#              G#m
into the wishy-washy dark that cannot let go.
             B
I cannot let go, so I thank the lord, and I thank his sword! 
           F#                          G#m
'tho it be mincing up the morning, slightly bored. 
   B               E              B                      E
O, morning without warning like a hole,  and I watch you go.
 
                    B                   F#           E
There are some mornings when the sky looks like a road.
                     B                  F#           E
There are some dragons who were built to have and hold.
                B                    F#                E
And some machines are dropped from great heights lovingly. 
         B                 E            B         F#             E
and some bellies ache with many bumblebees.  (and they sting so terribly). 
 
          B
I do as I please.  Now I'm on my knees. 
                               F#       G#m
Your skin is something that I stir into my tea. 
         E                        G#m
And I am watching you and you are starry, starry, starry
                 B           F#        E
and I'm tumbling down, and I check a frown.
 B
It's why I love this town. Well, just look around: 
          G#m
to see me serenaded hourly!  celebrated sourly! 
 E                 F#                    B
dedicated dourly; waltzing with the open sea –
F#              E                 F#               G#m
clam, crab, cockle, cowrie : will you just look at me?
B       E       B       F#      E  x3     (3rd time)  F#  B
Oh…                                                   Hmm       




------------------

version 2 





Capo:no capo
 
I put a chord letter every time she plucks a bass root note.
Note: she plays the bass note of the B chord below the low E
on the guitar, so it will sound slightly different on guitar
unless you tune down.
 
 
[Verse]
 
           B                B
That means no, where I come from.
     B                         F#
I am cold, out waiting for the day to come.
          B                      B
I chew my lips, and I scratch my nose
  B           F#       E           E
feels so good    to be   a rose.
         B                   B
Oh don't,  don't you life me up
              B                                 F#
like I'm that shy, no no no no no, just give it up 
          E        F#              B
There are bats all dissolving in a row
         E              F#                 G#m
into the wishy-washy dark   that can't let     go.
             B                  B                     B
I cannot let go, so I thank the lord, and I thank his   sword!
           B              F#                G#m
'tho it be mincing up the morning, slightly     bored.
   B               E              B      F#                 E
O, morning without warning like a hole, oh  and I watch you  go.
               B                 F#               E
There are some mornings when the sky looks like a road.
               B                F#                E
There are some dragons who were built to have and hold.
         B                         F#               G#m
And some machines are dropped from great heights lovingly.
               B                 E          B
and some great bellies ache with many bumblebees
    F#            E             E
and they sting so  terribly.
          B                     B
I do as I please. Now I'm on my knees.
             B                F#           G#m
Your skin is something that I stir into my    tea.
         E               E
And I am watching you
            G#m                     G#m
and you are starry, starry, starry
                 B           F#      E        E
and I'm tumbling down, and I check a frown.
                     B                      B
It's why I love this town: Well, just look around.
            G#m                G#m
just see me serenaded hourly!  celebrated sourly!
E                  E
dedicated dourly; 
F#                     B        B
waltzing with the open sea -
F#          E                F#                    G#m
clam, crab, cockle, cowrie : will you just look at me?
          B      E        B     F#       E
o wo wo o-oh owo-o-oh owo-o-oh    ohoho  oh-oh
 
(repeat twice, then for the last time)
          B      E        B     F#       E      F#   B
o wo wo o-oh owo-o-oh owo-o-oh    ohoho  oh-oh





------------------

version 3




Capo:no capo

	   C								G
That means no where I come from. I am cold, out waiting for the day to come. 
	      C					       F
I chew my lips, oh and I scratch my nose, feels so good to be a rose. 
 
C									
Oh don't, don't you lift me up like I'm that shy, no no no no no, 
             G
just give it up – 
  	     F 		G	     C
There are bats all dissolving in a row
 	 F		G		Am
into the wishy-washy dark that cannot let go.
C
I cannot let go, so I thank the lord, and I thank his sword! 
 	      		       G	      Am
'tho it be mincing up the morning, slightly bored. 
 	C		F		C   G    	F
O, morning without warning like a hole,  and I watch you go.
 
  		    C			G	     F
There are some mornings when the sky looks like a road.
 		     C			G	     F
There are some dragons who were built to have and hold.
 		C		     G		       F
And some machines are dropped from great heights lovingly. 
 C		F	        C	     G   		   F
and some bellies ache with many bumblebees.  (and they sting so terribly). 
 
C
I do as I please.  Now I'm on my knees. 
 		            	G	    Am
Your skin is something that I stir into my tea. 
F				    Am
And I am watching you and you are starry, starry, starry
C			     G	       F
and I'm tumbling down, and I check a frown.
 C
It's why I love this town. Well, just look around: 
 		Am
just see me serenaded hourly!  celebrated sourly! 
 F		   G		          C
dedicated dourly; waltzing with the open sea –
G  		F		  G	Am
clam, crab, cockle, cowrie : will you just look at me?
C	F	C	G	F  x3     (3rd time)   G  C
Oh…						      Hmm	




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