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Ginger & Ruth by Jerry Paper


       Ginger & Ruth



Tuning:E A D G B E
Capo:no capo

    G#        A#m7      D#9
The quotidian aches and pains
   C#m7b5  G#M7
Of being a being
G#            A#m7              D#9
All the small nothings, they're something;
C#m7b5          G#M7
The bric-a-brac euphoria
 
 G#    A#m7          Cm7     A#m7
"Every problem's not mine to solve."
             Cm7       A#m7
Ruth built a shrine to all
            G#        G
The passers-by, the banal
 
Cm7    A#
Ginger fears death
    C#m7                            G#
But Ruth says that life's where the pain's at
Cm7        A#
Ginger's a bored one
      C#m7               G#
Well, Ruth is a bear and Ginger's a brat
 
      G#          A#m7           D#9
Well, back in New York where the fun's at
C#m7b5         G#M7
Waiting at the train tracks
G#        A#m7    D#9
Ginger is arguing in her head
C#m7b5          G#M7
With her boss - some bullshit hen
 
      G#              A#m7         Cm7
Well, Ruth, she walks down the platform
   A#m7
In black
              Cm7        A#m7
She says it's good to be back
       G#                   G
In the city - the big brick hive
 
Cm7              A#
Ruth says, "When all else fails
        C#m7                   G#
Dig the hippie shit like it's working."
Cm7         A#
Ginger gets frustrated
    C#m7                       G#
And Ruth just shifts round the wording
 Cm7            A#
"Ginger, you're so good to me
         C#m7           G#
But your worry is disconcerting."
 Cm7         A#
"Ruth, don't overthink it!
    C#m7                      G#
Now come back to bed I'm just bursting."




------------------

version 2 




Tuning:Eb Ab Db Gb Bb Eb
Key:A
Capo:no capo

**Tune down 1/2 step.**
 
Voicings:
A     x02220
Bm7   x2023(2)
E9    xx213(2)
E7    xx213(0)
Bb7   xx3131
E7b9  xx2131
C#m7  x4x45(4)
A/C#  x42220
 
 
The trick to getting the right sound is knowing when to mute or play notes on the
 high E.
For example, "of being...a being" Mute the high E on the first E7. On the second 
E7 mute then unmute.
and "bric-a-brac...euphoria" Play and then mute high E (F) for Bb7 leading to E7 
with high E unmuted.
Same goes for the Bm7 and C#m in the chorus.
 
 
[Verse 1]
       A      Bm7        E9
The quotidian aches and pains
   E7    Bb7   E7
Of being       a being
A             Bm7               E9
All the small nothings, they’re something;
  E7b9      Bb7          E7
The bric-a-brac euphoria
 
A      Bm7           C#m7      Bm7
“Every problem’s not mine to solve.”
             C#m7       Bm7
Ruth built a shrine to all
            E7b9    C#m7
The passers-by, the banal
 
C#m7   Bm7
Ginger fears death
     A             A/C#              A
But Ruth says that life’s where the pain’s at
C#m7       Bm7
Ginger’s a bored one
     A             A/C#            A
Well, Ruth is a bear and Ginger’s a brat
 
[Verse 2]
A     Bm7               E9
Well, back in New York where the fun’s at
E7      B7       E7
Waiting    at the train tracks
A      Bm7               E9
Ginger is arguing in her head
         E7b9 Bb7             E7
With her boss—some bullshit hen
 
  A                   Bm7          C#m7
Well, Ruth, she walks down the platform
   Bm7
In black
              C#m7       Bm7
She says it’s good to be back
        E7b9              C#m7
In the city—the big brick hive
 
C#m7       Bm7
Ruth says, “When all else fails
A         A/C#                A
Dig the hippie shit like it’s working.”
C#m7        Bm7
Ginger gets frustrated
   A          A/C#             A
And Ruth just shifts round the wording
 C#m7           Bm7
“Ginger, you’re so good to me
A         A/C#       A
But your worry is disconcerting.”
 C#m7        Bm7
“Ruth, don’t overthink it!
 A      A/C#                 A
Now come back to bed I’m just bursting.”






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