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What I Know by Jamie Webster
What I Know
Tuning:E A D G B E
Key:C#m
Capo:4th fret
ATTENTION 2: All chords for 4 beats OR count the *
[Verse 1]
Am Em
Is it something you had, leading you to feel this way
Am Em
from a friend of a friend or a story that you write on your socials?
Am Em
Hours online, tales of all the tainted times,
Am Em
your head's up your ass So you take it on yourself and get vocal
[Pre-Chorus]
F
Then you scream and you frolic with something alcoholic
Em
in the open of the comics, make you toggle old [?]
F
You're speaking metaphorically
Em***
and everybody thinks you're insane
[Chorus]
C
Who let you push the pedal of the boon,
Em
you're always gonna miss a thing or two.
Am
You capture all the trauma, but the provocation,
F** G**
barely shines on through.
C
But I don't have all the access,
Em
how they used to differ, cut to show.
Am
I'd rather take me chances on what's come before me.
F** G** (Am)
What you think don't outweigh what I know.
[Interlude]
| Am | Em | Am | Em*** |
[Verse 2]
Am Em
Now the story's sailing round And you're making different sounds,
Am Em
it's like the ships of the fan despite all your political guidance.
Am Em
Pilot maim, still you preach your wicked aim,
Am Em
if war were to break, you vow that you'd be there for violence.
[Pre-Chorus]
F
Start recycling your litter, then get read somewhere on Twitter,
Em
say you'll never be a quitter then it's left you getting bitter.
F
Your wife left 'cause you hit her,
Em***
just for questioning the rules of your game.
[Chorus]
C
Who let you push the pedal of the boon,
Em
you're always gonna miss a thing or two.
Am
You capture all the trauma, but the provocation,
F** G**
barely shines on through.
C
But I don't have all the access,
Em
how they used to differ, cut to show.
Am
I'd rather take me chances on what's come before me.
F** G** (Am)
What you think don't outweigh what I know.
[Interlude]
| Am | Em | Am | Em |
| F | Em | F | Em*** |
[End-Chorus]
C
Who let you push the pedal of the boon,
Em
you're always gonna miss a thing or two.
Am
You capture all the trauma, but the provocation,
F** G**
barely shines on through.
C
But I don't have all the access,
Em
how they used to differ, cut to show.
Am
I'd rather take me chances on what's come before me.
F** G** Am*
What you think don't outweigh what I know.
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