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Suedehead by Morrissey
Suedehead
Intro:
//A Bm G D // 2 times
E D
Why do you come here?
E D
And why-y-y, why do you hang around?
F#m E D
I'm so sorry
E F#m E D
Iaaaaaii I'm so so-oh-oh-oh-oh-oh
A Bm G D
Why do you come here, when you know it makes things hard for me?
A Bm G D
When you know, oh why do you come?
E D
Why do you telephone?
E D
And why-y-y, send me silly notes?
F#m E D
I'm so sorry
E F#m E D
Iaaaaaii I'm so so-oh-oh-oh-oh-oh
A Bm G D
Why do you come here, when you know it makes things hard for me?
A Bm G D
When you know, oh why do you come?
G F#m G D
E D
You have to sneak into my room, just to read my diary
E
It was a justicy, justicy
D
all the things you knew I'd written about you
Oh so many illustrations oh but
F#m E D E F#m E D
I'm so very sickened, I, I am so sickened now
A Bm
It was a good lay, good lay,
G D
It was a good lay, good lay,
A Bm G
It was a good lay, good lay, oh oh
(Repeat till fade)
------------------
version 2
Tuning: E A D G B E
[Intro]
A Bm G D
A Bm G D
(during the solo)
e|9-9-9------------12-12-12-----------------------------------------|
B|------10-10-10/12---------12-12-12--12-10-----------------8/10-10-|
G|------------------------------------------12-12-9-12-12-9---------|
D|------------------------------------------------------------------|
A|------------------------------------------------------------------|
E|------------------------------------------------------------------|
e|9-9-9------------12-12-12------------------------------------------|
B|------10-10-10/12---------12-12-12--12-10-----------------10-10/12-|
G|------------------------------------------12-12-9-12-12-9----------|
D|-------------------------------------------------------------------|
A|-------------------------------------------------------------------|
E|-------------------------------------------------------------------|
A Bm G D
A Bm G D
E D
Why do you come here?
E D
And why-y-y, why do you hang around?
F#m E D
I'm so sorry
E F#m E D
Iaaaaaii I'm so so-oh-oh-oh-oh-oh
A Bm G D
Why do you come here, when you know it makes things hard for me?
A Bm G D
When you know, oh why do you come?
E D
Why do you telephone?
E D
And why-y-y, send me silly notes?
F#m E D
I'm so sorry
E F#m E D
Iaaaaaii I'm so so-oh-oh-oh-oh-oh
A Bm G D
Why do you come here, when you know it makes things hard for me?
A Bm G D
When you know, oh why do you come?
G F#m G D
E D
You have to sneak into my room, just to read my diary
E
It was just to see, just to see
D
all the things you knew I'd written about you
Oh so many illustrations oh but
F#m E D E F#m E D
I'm so very sickened, oh, I am so sickened now
A Bm
It was a good lay, good lay,
G D
It was a good lay, good lay,
A Bm G
It was a good lay, good lay, oh oh
(Repeat till fade)
Why do you come here?
And why do you hang around?
I'm so sorry
I'm so sorry
Why do you come here
When you know it makes things hard for me?
When you know, oh
Why do you come?
Why do you telephone? (hmm)
And why send me silly notes?
I'm so sorry
I'm so sorry
Why do you come here
When you know it makes things hard for me?
When you know, oh
Why do you come?
You had to sneak into my room
Just to read my diary
"It was just to see, just to see"
All the things you knew I'd written about you
Oh, so many illustrations
Oh, but
I'm so very sickened
Oh, I am so sickened now
Oh, it was a good lay, good lay
It was a good lay, good lay
It was a good lay, good lay
Oh
It was a good lay, good lay
It was a good lay, good lay
Oh, it was a good lay, good lay
Oh
Oh, it was a good lay
It was a good lay
Oh, a good lay
It was a good lay
Good lay, good lay
Oh
It was a good lay
It was a good lay
| / Slide up
------------------
version 3
Intro; E F#m G D x2
A G
Why do you come here
A D A D A D (basically just
alternate between the two quickly)
And why-y-y-y-y
A D
Why do you hang around
G Bm
I'm so sorry
G Am
I-I
G E D E D (alternate like in the intro)
I'm so so-oh-oh-oh-oh-oh-oh
It's more or less the same from here, except with the whole 'I'm so very sickened' just
play the intro and on the outro just play 'E F#m G D-G-D'. Alternate on the G and D.
Why do you come here?
And why do you hang around?
I'm so sorry
I'm so sorry
Why do you come here
When you know it makes things hard for me?
When you know, oh
Why do you come?
Why do you telephone? (hmm)
And why send me silly notes?
I'm so sorry
I'm so sorry
Why do you come here
When you know it makes things hard for me?
When you know, oh
Why do you come?
You had to sneak into my room
Just to read my diary
"It was just to see, just to see"
All the things you knew I'd written about you
Oh, so many illustrations
Oh, but
I'm so very sickened
Oh, I am so sickened now
Oh, it was a good lay, good lay
It was a good lay, good lay
It was a good lay, good lay
Oh
It was a good lay, good lay
It was a good lay, good lay
Oh, it was a good lay, good lay
Oh
Oh, it was a good lay
It was a good lay
Oh, a good lay
It was a good lay
Good lay, good lay
Oh
It was a good lay
It was a good lay
------------------
version 4
Tuning: E A D G B E
Capo: 2nd fret
It’s important to get the strum pattern right on the verse by listening to the original. I tried to write the
chord changes as accurately as possible above the lyrics but it’s very quick in some places.
At the end of the chorus, when going from F to Am I slide from normal a F to a Am power chord which is 577555
(relative to capo) but you can just play a normal Am if you prefer.
Chords:
Csus4/F: 002011
Dsus4: 000233
Dsus2: 000230
Cadd9: 032030
Em7: 022030
Emaddb13: 022010
Fadd9: 003213
C* = C Cadd9 C Cadd9 C Cadd9
C** = C Cadd9 C Cadd9 C Cadd9 C Cadd9
[Intro]
Csus4/F
[Verse 1]
D Dsus4 D Dsus2 D Dsus4
D Dsus2 C**
Why do you come here?
D Dsus4 D Dsus2 D Dsus4
And why-ha-hiiiiiiiii-ha-ha-ha-ha-ha-hiiiii
D Dsus2 C**
Why do you hang around?
[Pre Chorus]
Em D C D
I’m so sorry I-ha-ha-hiiiiiiii
Em D C*
I’m so so—o-o-ry
[Chorus]
G Am
Why do you come here
F Am
When you know it makes things hard for me
G
When you know, oh
Am F Am
Why do you come
[Verse 2]
D Dsus4 D Dsus2 D Dsus4 D Dsus2
Why do you
C Cadd9 C Cadd9 C Cadd9 C Cadd9
Telephone
D Dsus4 D Dsus2 D Dsus4 D Dsus2
And why-ha-hiiiiiiiii-ha-ha-ha-ha-ha-hiiiii send me
C Cadd9 C Cadd9 C Cadd9 C Cadd9
silly notes
[Pre Chorus]
Em D C D
I’m so sorry I-ha-ha-hiiiiiiii
Em D C*
I’m so so—o-o-ry
[Chorus]
G Am
Why do you come here
F Am
When you know it makes things hard for me
G
When you know, oh
Am F Am
Why do you come
[Bridge]
F Fadd9 F
Em Em7 Emaddb13
F Fadd9 F C
[Verse 3]
D Dsus4 D Dsus2 D Dsus4 D Dsus2
You have to sneak in-
C Cadd9 C Cadd9 C Cadd9 C Cadd9
to my room just to read my dia------ry It was
D Dsus4 D Dsus2 D Dsus4 D Dsus2
Just to see, just to see all the things you knew I’d written a—
C Cadd9 C Cadd9 C Cadd9 C Cadd9
bout you oh so many illustrations oh but
[Pre Chorus]
Em D C D
I’m so very sickened ohhhhhh
Em D C Cadd9 C Cadd9 C Cadd9
I am so sickened now
[Final Chorus]
G Am
oh, it was a good lay, good lay
F Am
It was a good lay, good lay
G Am
It was a good lay, good lay,
F Am
ohhh
G Am
Good lay, good lay
F Am
It was a good lay, good lay
G Am
It was a good lay, good lay,
F Am
ohhh
G Am
Good lay,good lay
F Am
It was a good lay, good lay
G Am
It was a good lay, good lay,
F Am
ohhh
------------------
version 5
Intro
E |-----5----------7-7-7----------10-10-10-------------------------------------------|
B |-----6----------------8-8-8-10----------10-10-10----10-8----------------------8-8-|
G |-----5---------------------------------------------------10-10--7-10-10-10-10-----|
D |----------------------------------------------------------------------------------|
A |----------------------------------------------------------------------------------|
E |----------------------------------------------------------------------------------|
E |----7-7-7----------10-10-10-------------------------------------------------------|
B |----------8-8-8-10----------10-10-10--10-8---------------8-8-h10-10---------------|
G |-------------------------------------------10-10-7-10-10--------------------------|
D |----------------------------------------------------------------------------------|
A |----------------------------------------------------------------------------------|
E |----------------------------------------------------------------------------------|
Riff 1
E |----2--2--2--3--3--3--2--2--2--0--0--0--0-----------------------------------------|
B |----3--3--3--3--3--3--3--3--3--3--3--3--3-----------------------------------------|
G |----2--2--2--2--2--2--2--2--2--2--2--2--2-----------------------------------------|
D |----------------------------------------------------------------------------------|
A |----------------------------------------------------------------------------------|
E |----------------------------------------------------------------------------------|
Riff 2
E |------0-----0-----0-----0-----0---0----0-----0-----0-----0-----0------------------|
B |--------1-----1-----1-----1-----1--------1-----1-----1-----1----------------------|
G |----0-----0-----0-----0-----0--------0-----0-----0-----0-----0---0----------------|
D |----------------------------------------------------------------------------------|
A |----------------------------------------------------------------------------------|
E |----------------------------------------------------------------------------------|
Riff 3
E |-----0----0----0----0----0----0---------------------------------------------------|
B |-----5----3----5----3----5----3---------------------------------------------------|
G |-----5----5----5----5----5----5---------------------------------------------------|
D |-----5----5----5----5----5----5---------------------------------------------------|
A |----------------------------------------------------------------------------------|
E |----------------------------------------------------------------------------------|
Riff 4
E |-------1-----1------S-------5-----5-----5-----------------------------------------|
B |---------1-----1-----L--------5-----5---------------------------------------------|
G |-----2-----2-----2-2--I---------5-----5-------------------------------------------|
D |-----------------------D----------------------------------------------------------|
A |------------------------E---------------------------------------------------------|
E |----------------------------------------------------------------------------------|
Why do you come here?
And why do you hang around?
I'm so sorry
I'm so sorry
Why do you come here
When you know it makes things hard for me?
When you know, oh
Why do you come?
Why do you telephone? (hmm)
And why send me silly notes?
I'm so sorry
I'm so sorry
Why do you come here
When you know it makes things hard for me?
When you know, oh
Why do you come?
You had to sneak into my room
Just to read my diary
"It was just to see, just to see"
All the things you knew I'd written about you
Oh, so many illustrations
Oh, but
I'm so very sickened
Oh, I am so sickened now
Oh, it was a good lay, good lay
It was a good lay, good lay
It was a good lay, good lay
Oh
It was a good lay, good lay
It was a good lay, good lay
Oh, it was a good lay, good lay
Oh
Oh, it was a good lay
It was a good lay
Oh, a good lay
It was a good lay
Good lay, good lay
Oh
It was a good lay
It was a good lay
------------------
version 6
Capo: 2nd fret
Some people say use a capo on the 2nd fret, but its not needed.
Its a tradeoff really, it makes the verse E chords easier,
but makes the verse D chords arpeggio more difficult.
Opening fade-in
A7add4
e |-3-
B |-3-
G |-2-
D |-2-
A |-0-
E |---
Opening, lead guitar with fuzz distortion
/ = slide up to the next note
A Bm G D
e |9-9-9------------12-12-12--------------------------------------------|
B |-----10-10-10/12---------12-12-12--12-10---------------12------------|
G |-----------------------------------------12-12--9-12-12---12-12/14-14|
D |---------------------------------------------------------------------|
A |---------------------------------------------------------------------|
E |---------------------------------------------------------------------|
A Bm G D into verse E chord
e |9-9-9------------12-12-12-------------------------------------------------------|
B |------10-10-10/12---------12-12-12--12-10---------------10-10/12-12-----10-10-12|
G |------------------------------------------12-12-9-12-12-------------------------|
D |--------------------------------------------------------------------------------|
A |--------------------------------------------------------------------------------|
E |--------------------------------------------------------------------------------|
Verse - for these E chords, use downward, staccato strokes. This part is piano arranged for guitar.
E Esus4 E Esus2
e |4-4-4-4-5-5-5|4--4-4-4-2-2-2-2|----------------|--------------|
B |5-5-5-5-5-5-5|5--5-5-5-5-5-5-5|---REPEAT-------|--------------|
G |4-4-4-4-4-4-4|4--4-4-4-4-4-4-4|----------------|--------------|
D |x------------|----------------|----------------|--------------|
A |x------------|----------------|----------------|--------------|
E |-------------|----------------|----------------|--------------|
D chords, play this arpeggio
D Dsus2 D Dsus2
e |---2---2---2-|--0---0---0-|--------------|--------------|
B |----3---3----|---3---3----|--------------|--------------|
G |-2---2---2---|2---2---2---|---REPEAT-----|--------------|
D |-------------|------------|--------------|--------------|
A |-------------|------------|--------------|--------------|
E |-------------|------------|--------------|--------------|
Chorus - lead guitar with heavily modulated delay
F#m E D E
e |--12-12---12-12---12---12-12--12-12--12---14-------------------------------|
B |12------12------12----------12-------12-------------------------12-12-12---|
G |--------------------------------------------14-14---14-14-14-14------------|
D |---------------------------------------------------------------------------|
A |---------------------------------------------------------------------------|
E |---------------------------------------------------------------------------|
F#m E D Dsus2 D Dsus2 D Dsus2
e |--12-12---12-12---12---12-12--12-12--12---14-------------------------------|
B |12------12------12----------12-------12-----------------14---14--------14--|
G |--------------------------------------------14----14--14---14-------14-----|
D |---------------------------------------------------------------------------|
A |---------------------------------------------------------------------------|
E |---------------------------------------------------------------------------|
Post-chorus part, clean lead guitar is silent during 1st two chords
A Bm G D (although this arpeggio makes it looks like a Bm)
e |--------------|--------------|--3---3---3--|--7---7---7--|
B |--------------|--------------|---3---3-----|---7---7-----|
G |--------------|--------------|4---4---4----|7---7---7----| REPEAT
D |--------------|--------------|-------------|-------------|
A |--------------|--------------|-------------|-------------|
E |--------------|--------------|-------------|-------------|
Then go back to the Verse, then to the Chorus again, and the Post-chorus part again.
Then, at about 2:10, there is this Interlude, p = pull off
G Bm G D several strums, vigorously
|3-3--3--5--5-5p3-3|2-2--2--2--------|3-3--3--5--5-5p3-3|----------|
|3---3--3--3-------|3---3--3-55-5p3-3|3---3--3--3-------|----------|
|4-----------------|2----------------|4-----------------|----------|
|5-----------------|-----------------|5-----------------|----------|
|------------------|-----------------|------------------|----------|
|------------------|-----------------|------------------|----------|
Then go back to the last Verse, then to the last Chorus, then fade out with this
version of the Post-chorus part:
Outro: Post-chorus part (two guitars arranged for one)
A Bm G D
e |--5---5---5-|--7---5---5-|--3---3---3-|--7---5---5-|
B |---5---5----|---7---7----|---3---3----|---7---7----|
G |6---6---6---|7---7---7---|4---4---4---|7---7---7---| REPEAT
D |------------|------------|------------|------------| & FADE
A |------------|------------|------------|------------| OUT
E |------------|------------|------------|------------|
There are actually two lead guitars layered in the outro on top of the
rhythm guitar. The more prominent one is the same from the regular Post-
Chorus part - it is silent during the first two chords (A and Bm), and
then plays the G and D (Bm) arpeggio. The second guitar only appears in the
outro and it starts in after the second repeat. It plays a quick arpeggio
between A and Bm, down to G and back to A and Bm. Listen to the record
carefully and you can hear it. I've just made the arrangement above to
try to capture both parts, but its not 100% correct.
Lyrics
Why do you come here?
And why-y-y, why do you hang around?
I'm so sorry
I'm so so-oh-oh-oh-oh-oh
Why do you come here, when you know it makes things hard for me?
When you know, oh why do you come?
Why do you telephone?
And why-y-y, send me silly notes?
I'm so sorry
I'm so so-oh-oh-oh-oh-oh
Why do you come here, when you know it makes things hard for me?
When you know, oh why do you come?
You have to sneak into my room, just to read my diary
It was a just to see, just to see
all the things you knew I'd written about you
Oh so many illustrations oh but
I'm so very sickened, I am so sickened now
It was a good lay, good lay,
It was a good lay, good lay,
It was a good lay, good lay, oh oh
---------------