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Rosary by Scott Walker
Rosary
Standard Tuning EADGBe
This is a tough song to figure out.
The lone guitar part is fairly consistantly inconsistant through out.
Provided is the fretting for it, use the thumb and index to play it and bend when necessary.
Bend the B string one semitone and the D string 2 semitones when necessary.
Intro: C#m
E|----------------------------------------|
B|---9-9----9-9----9----9-9----9-9----9---|
G|----------------------------------------|
D|11-----11-----11---11-----11-----11-----|
A|----------------------------------------|
E|----------------------------------------|
Verse 1:
C#m
I'll string along, I'll string along, oo whaoo whaoo whaoo...
C#m
Come mornings my beads on a face, a thread, oo whaoo whaoo whaoo...
Dm Ebm
We can save it, we can change it, put it in lines across the room
Dm Am
But we'll never stop it bristling.....and I gotta quit......
Verse 2:
C#m
With a ribbonless hair, with a wire of snare, oo whaoo whaoo whaoo
C#m
With all the trembling vein that you can bare, oo whaoo whaoo whaoo
Dm Ebm
We can save it, we can change it, put it in lines across the room
Dm Am
But we'll never stop it pimpling.....and I gotta quit...
Outro:
Am
Scrape a little pattern to a sty I kiss holes for the bullets
Am
In case of thigh, in case of thigh
Am
I kiss holes for the bullets.....and I gotta quit.....and I gotta quit.......
---------------
version 2
Fig.1
|--------------------------------------.--..
|---9-9----9-9----9----9-9----9-9----9----..
|--------------------------------------.--..
|11-----11-----11---11-----11-----11------..
|--------------------------------------.--..
|--------------------------------------.--..
Fig.2
|------------------------------------------------------------|
|---10----10----10----10----10----10----10----10----10----10-|
|------------------------------------------------------------|
|11----13----13----13----12----12----12----12----12----12----| x3
|------------------------------------------------------------|
|------------------------------------------------------------|
Am7
|-0|-|
|-8--|
|-0--|
|-10-|
|-0--|
|-0--|
Ending *Brackets indicate that notes may be accidental
|--------(0)---------------(0)---------(0)-----------------.--..
|8-8-8-8-----8-8-8-8-8-8-8-----8-8-8-8-----8-8-8-8-8-8-8-8----..
|----------------------------------------------------------.--..
|----------------------------------------------------------.--..
|----------------------------------------------------------.--..
|----------------------------------------------------------.--..
NOTE: During second verse, in Fig.1 the open G string is
occasionally struck together with the C# at the 11th.
This too may be accidental, but it does add even more
atmosphere in the form of dissonance.
[Fig.1]
I'll string along I'll string along oo whaoo whaoo whaoo
Come mornings my beads on a faceA thread
A thong oo whaoo whaoo whaoo
[Fig.2]
We can save itWe can change it Put it in lines across the room
But we'll never stop it bristling
[Am7]
and I gotta quit
[Fig.1] (with open G)
With a ribbonless hair With a wire of snare oo whaoo whaoo whaoo
With all the trembling vein that you can bare oo whaoo whaoo whaoo
[Fig.2]
We can save it We can change it Put it in lines across the room
But we'll never stop it pimpling
[Am7]
and I gotta quit
[Ending]
Scrape a little pattern to a sty I kiss holes for the bullets
in case of thigh in case of thigh I kiss holes for the bullets
and I gotta quit and I gotta quit
------