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Heres Looking At You Kid by The Gaslight Anthem
Heres Looking At You Kid
Capo on the 4th fret.
Picking pattern (strings not frets):
G 6~42343
Em 5~42343
C 5~42343
D 5~42343
G Em
You can tell Gayle, if she calls,
C D
that I'm famous now for all of these rock and roll songs.
G Em C D
And even if that's a lie, she should've given me a try.
Em D C G Em
When we were kids on the field of the first day of school.
D C G
I would've been her fool.
Em D C G
And I would've sang out your name in those old high school halls.
G D G
You tell that to Gayle, if she calls.
G Em
And you can tell Jane, if she writes,
C D
that I'm drunk off all these stars and all these crazy Hollywood nights.
G Em C D
That's total deceit, but she should've married me.
Em D C G Em
And tell her I spent every night of my youth on the floor,
D C G
bleeding out from all these wounds.
Em D C G
I would've gotten her a ride out of that town she despised.
G D G
You tell that to Janey, if she writes.
Em C G D
But boys will be boys and girls have those eyes
Em C G D
that will cut you to ribbons sometimes.
Em C G D
And all you can do is just wait by the moon
Em C G D
and bleed if it's what she says you oughta do.
Em C G D
Em C G D
Em D C G
G D G
G Em
You remind Anna, if she asks why,
C D
that a thief stole my heart while she was making up her mind.
G Em
I heard she lives in Brooklyn with the cool,
C D
goes crazy over that New York scene on 7th Avenue.
Em D C G
But I used to wait at the diner, a million nights without her,
Em D C
praying she won't cancel again tonight.
Em D C G
And the waiter served my coffee with a consolation sigh.
G D G
You remind Anna, if she asks why.
G Em C D
Tell her it’s alright
G Em C D
You know it's hard to tell you this.
Em D C G Em D C G
Oh it's hard to tell you this.
Em D C G G D G
Here's looking at you, Kid.
---------------
version 2
Capo on the 4th.
Picking pattern (strings not frets):
G 6~42343
Em 5~42343
C 5~42343
D 5~42343
G Em
You can tell Gayle, if she calls,
C D
that I'm famous now for all of these rock and roll songs.
G Em C D
And even if that's a lie, she should've given me a try.
Em D C G
When we were kids on the field of the first day of school.
Em D C
I would've been her fool.
Em D C G
And I would've sang out your name in those old high school halls.
G D G
You tell that to Gayle, if she calls.
G Em
And you can tell Jane, if she writes,
C D
that I'm drunk off all these stars and all these crazy Hollywood nights.
G Em C D
That's total deceit, but she should've married me.
Em D C G
And tell her I spent every night of my youth on the floor,
Em D C
bleeding out from all these wounds.
Em D C G
I would've gotten her a ride out of that town she despised.
G D G
You tell that to Janey, if she writes.
Em C G D
But boys will be boys and girls have those eyes
Em C G D
that will cut you to ribbons sometimes.
Em C G D
And all you can do is just wait by the moon
Em C G D
and bleed if it's what she says you oughta do.
Em C G D
Em C G D
Em D C G
G D G
G Em
You remind Anna, if she asks why,
C D
that a thief stole my heart while she was making up her mind.
G Em
I heard she lives in Brooklyn with the cool,
C D
goes crazy over that New York scene on 7th Avenue.
Em D C G
But I used to wait at the diner, a million nights without her,
Em D C
praying she won't cancel again tonight.
Em D C G
And the waiter served my coffee with a consolation sigh.
G D G
You remind Anna, if she asks why.
G Em C D
Tell her it’s alright
G Em C D
You know it's hard to tell you this.
Em D C G Em D C G
Oh it's hard to tell you this.
Em D C G G D G
Here's looking at you, Kid.
---------------
version 3
Tunning: Half step down
Chord Picking (this is strings not frets):
~let ring A 5~42343
F#m 6~51242
D 4~31232
E 6~51242
A F#m
You can tell Gayle, if she calls,
D E
that I'm famous now for all of these rock and roll songs.
A F#m D E
And even if that's a lie, she should've given me a try.
F#m E D A
When we were kids on the field of the first day of school.
F#m E D
I would've been her fool.
F#m E D A
And I would've sang out your name in those old high school halls.
A E A
You tell that to Gayle, if she calls.
A F#m
And you can tell Jane, if she writes,
D E
that I'm drunk off all these stars and all these crazy Hollywood nights.
A F#m D E
That's total deceit, but she should've married me.
F#m E D A
And tell her I spent every night of my youth on the floor,
F#m E D
bleeding out from all kinds of wounds.
F#m E D A
And I would've gotten you a ride out of that town you despised.
A E A
You tell that to Janey, if she writes.
F#m D A E
But boys will be boys and girls have those eyes
F#m D A E
that will cut you to ribbons sometimes.
F#m D A E
And all you can do is just wait by the moon
F#m D A E
and bleed if it's what she says you oughta do.
F#m D A E
F#m D A E
F#m E D A
A E A
A F#m
You remind Nana, if she asks why,
D E
that a thief stole my heart while she was making up her mind.
A F#m
I heard she lives in Brooklyn with the cool,
E D
goes crazy over that New York scene on 7th Avenue.
F#m E D A
But I used to wait at the diner, a million nights without her,
F#m E D
praying she won't cancel again tonight.
F#m E D A
And the waiter served my coffee with a consolation sigh.
A E A
You remind Nana, if she asks why.
A F#m D E
Tell her it™s alright
A F#m D E
You know it's hard to tell you this.
F#m E D A F#m E D A
F#m E D A A E A
Here's looking at you, Kid.
---------------
version 4
C Am
You can tell Gayle, if she calls,
F G
that I'm famous now for all of these rock and roll songs.
C Am F G
And even if that's a lie, she should've given me a try.
Am G F C
When we were kids on the field of the first day of school.
Am G F
I would've been her fool.
Am G F C
And I would've sang out your name in those old high school halls.
C G C
You tell that to Gayle, if she calls.
And you can tell Jane, if she writes,
that I'm drunk off all these stars and all these crazy Hollywood nights.
That's total deceit, but she should've married me.
And tell her I spent every night of my youth on the floor,
bleeding out from all these wounds.
I would've gotten her a ride out of that town she despised.
You tell that to Janey, if she writes.
Am F C G
But boys will be boys and girls have those eyes
Am F C G
that will cut you to ribbons sometimes.
Am F C G
And all you can do is just wait by the moon
Am F C G
and bleed if it's what she says you oughta do.
Am “ F “ C “ G
Am “ F “ C “ G
Am “ G “ F “ C
C”G “ C
C Am
You remind Nana, if she asks why,
F G
that a thief stole my heart while she was making up her mind.
C Am
I heard she lives in Brooklyn with the cool,
F G
goes crazy over that New York scene on 7th Avenue.
Am G F C
But I used to wait at the diner, a million nights without her,
Am G F
praying she won't cancel again tonight.
Am G F C
And the waiter served my coffee with a consolation sigh.
C G C
You remind Nana, if she asks why.
C “ Am “ F “ G
Tell her it™s alright
C “ Am “ F “ G
You know it's hard to tell you this.
Am “ G “ F “ C Am “ G “ F “ C
Oh it's hard to tell you this.
Am “ G “ F “ C C G C
Here's looking at you, Kid.
---------------
version 5
No Capo
Intro X1 [00.00]
B G#m
[--------------------------------------------------------------]
[--------4--------------4--------------4--------------4--------]
[-----------4--------------4--------------4--------------4-----]
[-----4--------4-----4--------4-----6--------4-----6--------4--]
[--2--------------2--------------------------------------------]
[--------------------------------4--------------4--------------]
E F#
[--------------------------------------------------------------]
[--------0--------------0--------------2--------------2--------]
[-----------1--------------1--------------3--------------3-----]
[-----2--------2-----2--------2-----4--------4-----4--------4--]
[--------------------------------------------------------------]
[--0--------------0--------------2--------------2--------------]
Verse 1 X2 [00.09]
B G#m
[--------------------------------------------------------------]
[--------4--------------4--------------4--------------4--------]
[-----------4--------------4--------------4--------------4-----]
[-----4--------4-----4--------4-----6--------6-----6--------6--]
[--2--------------2--------------------------------------------]
[--------------------------------4--------------4--------------]
You can tell Gail...
Even if that's...
E F#
[--------------------------------------------------------------]
[--------0--------------0--------------2--------------2--------]
[-----------1--------------1--------------3--------------3-----]
[-----2--------2-----2--------2-----4--------4-----4--------4--]
[--------------------------------------------------------------]
[--0--------------0--------------2--------------2--------------]
...famous now for all....
She should've given...
Bridge/Chorus [00.28]
G#m F# E B
[--------------------------------------------------------------]
[--------4--------------2--------------0--------------4--------]
[-----------4--------------3--------------1--------------4--- -]
[-----6--------6-----4--------4-----2--------2-----4--------4--]
[--------------------------------------------------------------]
[--4--------------2--------------0--------------2--------------]
...kids on the field of the first...
G#m F# E E
[--------------------------------------------------------------]
[--------4--------------2--------------0--------------0--------]
[-----------4--------------3--------------1--------------1--- -]
[-----6--------6-----4--------4-----2--------2-----2--------2--]
[--------------------------------------------------------------]
[--4--------------2--------------0--------------0--------------]
I would have been her fool...
G#m F# E B
[--------------------------------------------------------------]
[--------4--------------2--------------0--------------4--------]
[-----------4--------------3--------------1--------------4--- -]
[-----6--------6-----4--------4-----2--------2-----4--------4--]
[--------------------------------------------------------------]
[--4--------------2--------------0--------------2--------------]
...would've sang out your name..
G#m F# B B
[--------------------------------------------------------------]
[--------4--------------2--------------4--------------4--------]
[-----------4--------------3--------------4--------------4--- -]
[-----6--------6-----4--------4-----4--------4-----4--------4--]
[--------------------------------------------------------------]
[--4--------------2--------------2--------------2--------------]
You tell that to Gail if she calls...
G#m E
[--------------------------------------------------------------]
[--------4--------------4--------------0--------------0--------]
[-----------4--------------4--------------1--------------1-----]
[-----6--------6-----6--------6-----2--------2-----2--------2--]
[--------------------------------------------------------------]
[--4--------------4--------------0--------------0--------------]
F#
[--------------------------------------------------------------]
[--------2--------------2--------------------------------------]
[-----------3--------------3-----------------------------------]
[-----4--------4-----4--------4--------------------------------]
[--------------------------------------------------------------]
[--2--------------2--------------------------------------------]
Verse 2 X2 [00.55] Same as Verse 1
And you can tell Jane if she write...
Bridge/Chorus 2 is the Same as Bridge/Chorus 1 except at the end the B is played for
as long before going into the interlude.
Interlude x6 [01.35]
G#m E B F#
[--------------------------------------------------------------]
[--------4--------------0--------------4--------------2--------]
[-----------4--------------1--------------4--------------3--- -]
[-----6--------6-----2--------2-----4--------4-----4--------4--]
[--------------------------------------------------------------]
[--4--------------0--------------2--------------2--------------]
Then at [02.04] x1
G#m F# B B
[--------------------------------------------------------------]
[--------4--------------2--------------4--------------4--------]
[-----------4--------------3--------------4--------------4--- -]
[-----6--------6-----4--------4-----4--------4-----4--------4--]
[--------------------------------------------------------------]
[--4--------------2--------------2--------------2--------------]
Verse 3 Same as the others [02.16]
Outro Same as the others [02.53]
The little guitar bit doing the solo
[--------------------------------------------------------------]
[--19--19--17--16--16------16--16--14--12--12----14--12/14--12-]
[--------------------------------------------------------------]
[--------------------------------------------------------------]
[--------------------------------------------------------------]
[--------------------------------------------------------------]
The Lyrics
Note: All of the lyrics for this song I have found online say that the 3rd verse is 'You
Nana If She Asks'. However It's actually 'You Remind Anna'. If you listen to the rest
the lyrics he's talking about how he chose another girl while she was making up her
I don't know but I'm pretty sure GLA arn't into incest.
Here's Lookin' At You Kid
You can tell Gail, if she calls,
That I'm famous now for all of these rock and roll songs.
And even if that's a lie, she should've given me a try.
When were kids on the field of the first day of school.
I would've been her fool.
And I would've sang out her name in those old high school halls.
You tell that to Gail, if she calls.
And you can tell Jane, if she writes,
That I'm drunk off all these stars and all these crazy Hollywood nights.
That's total deceit, but she should've married me.
And tell her I spent every night of my youth on the floor,
Bleeding out from all these wounds.
I would've gotten her a ride out of that town she despised.
You tell that to Janey, if she writes.
But boys will be boys and girls have those eyes
That will cut you to ribbons sometimes.
And all you can do is just wait by the moon
And bleed if it's what she says you oughta do.
You remind Anna, if she asks why,
That a thief stole my heart while she was making up her mind.
I heard she lives in Brooklyn with the cool,
Goes crazy over that New York scene on 7th Avenue.
But I used to wait at the diner, a million nights without her,
Praying she won't cancel again tonight.
And the waiter served my coffee with a consolation sigh.
You remind Anna, if she asks why.
You know it's hard to tell you this.
Oh it's hard to tell you this.
Here's looking at you, Kid.
Hope the tab is good.
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